Bronze Sculpture for Sale
March snowy days, 2024
Painting : oil, cardboard · 20 x 15 x 2 cm 7.9 x 5.9 x 0.8 inch
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
20 x 15 x 2 cm 7.9 x 5.9 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Kalen 1476
The painting titled "March Snowy Days" captures the vibrant atmosphere of an early spring day, when winter's lingering snow blends with the colors of awakening nature. The scene depicts a small, picturesque chapel surrounded by bare trees and patches of snow, evoking a feeling of both renewal and tradition. The artist's use of expressive brushstrokes and a bold color palette creates a lively, dynamic composition that conveys the transition from winter to spring. The foreground is a lively mix of white snow and patches of bright colors, representing early signs of spring breaking through the winter landscape. The snow is painted with thick, swirling strokes in shades of white, light blue, and lavender, giving it a soft and textured appearance. The scattered, colorful figures of people walking toward the chapel add a sense of life and community to the scene. The brushstrokes are bold and energetic, suggesting movement and the melting of snow as the season changes. The vibrant colors in the foreground hint at flowers and greenery beginning to emerge from beneath the snow, symbolizing new life and hope. At the center of the composition stands a quaint, white chapel with a green dome and a golden spire. The chapel's architecture is simple yet elegant, and it serves as a focal point for the entire painting. The dome's green color contrasts beautifully with the surrounding snow and trees, drawing the viewer's eye to the heart of the scene. The chapel appears warm and inviting, standing out against the cooler tones of the snow and sky. Its white walls reflect the light, giving it a luminous quality that suggests the presence of warmth and spirituality amidst the cold. The background features a mix of bare trees painted in shades of orange, brown, and yellow, contrasting with the deep blue sky. The tree trunks and branches are painted with loose, flowing brushstrokes, creating a sense of movement and life. The colorful trees frame the chapel, adding depth and balance to the composition. The sky is a rich, vibrant blue with subtle hints of pink and purple, suggesting a clear, crisp day in early spring. The swirling brushstrokes in the sky add a dynamic, almost playful quality to the painting, reflecting the changing weather and the promise of warmer days ahead. "March Snowy Days" conveys a sense of renewal, hope, and the beauty of tradition. The painting captures the fleeting moment when winter begins to give way to spring, bringing with it a sense of optimism and change. The vibrant colors and dynamic brushstrokes create a joyful, uplifting atmosphere that invites the viewer to reflect on the cycles of nature and the passage of time. The artwork celebrates the resilience of both nature and community, reminding us of the quiet beauty found in everyday moments and the enduring presence of cultural and spiritual traditions. It evokes a feeling of peace and harmony, capturing the essence of a serene, snowy day in March, filled with the promise of spring.
Presentation
Oksana Antonivna Ivanyuk is an outstanding artist from Poltava, Ukraine, born on November 9, 1964, in the village of Zorya, Rivne region. Her talent and love for art manifested from a young age, and she decided to dedicate her life to creating marvelous paintings.
Oksana Antonivna obtained a higher education at the N. Samokish Crimean Art School, where she was mentored by eminent artists H. Kurylenko and V. Hryhoriyev. After completing her studies, she actively developed her talents in the field of painting, focusing on realistic-style landscapes and still lifes.
From 1989 to 2008, Oksana worked as an art teacher at the Pyriatyn School-Gymnasium of Aesthetic Education in Poltava Oblast, where she imparted her knowledge to her students and instilled in them a love for art.
As an active member of the National Union of Artists of Ukraine since 2010, Oksana participated in various exhibitions, both at the national and international levels, earning recognition for her talent and mastery.
Oksana Ivanyuk held solo exhibitions in Kyiv, Lubny (Poltava Oblast), Pryluky (Chernihiv Oblast), and Poltava, where she showcased her profound and emotional works. Among them are "The Last Snow. March" (2002), "Flood" (2005), "Silence" (2006), "The Last Ray," "Christmas Cathedral" (2008), "Autumn," "Kalyna on the Table" (2010). Her artworks can also be found in the National Art Museum and the Museum of Cultural Heritage in Kyiv.
Residing and working in Poltava, Oksana Ivanyuk embodied her artistic ideas in striking canvases that convey her inner awakenings, feelings, and emotions. Her art always captivates and leaves a sense of profound harmony with nature and the surrounding world.
After graduating from the N. Samokish Crimean Art School, the elder generation of Ivanyuks, Oleksiy and Oksana, founded their own art school in Pyriatyn, a small town in Poltava Oblast, which they supported financially for over a decade. Growing up under the influence of classical art, the couple favored working from nature, depicting classical still life and monumental canvases, with the secret of their compositional and dramatic strength lying in the use of naturism as their core philosophical concept.
In Oleksiy Ivanyuk's Poltava landscapes, there is a greatness in simplicity, a view of ordinary suburban landscapes as wonders that are no longer accessible to the average resident of a metropolis. Fauvist colors and impasto techniques are applied by the master to enhance expressiveness, while thick brushstrokes emphasize the form and relief of the depicted objects. Familiar places, houses immersed in green gardens, boundless steppes, fields, forest glades, and streets become lyrical abstractions and reach the level of aesthetic reflection, reflecting the author's sensory perception of the world.
In Oksana Ivanyuk's vibrant floral still lifes, baroque polyphony is embodied, which is why seemingly secondary elements become the main elements of the composition. Her lush bouquets are universal floral images of binary culture, with a variety of meanings that correspond to the main higher needs of existence. For Oksana Ivanyuk, reproducing flowers is always a display of personal experiences, a demonstration of her own attitude towards life situations, and the image itself becomes a symbol of beauty and harmony.
Both artists, Oleksiy and Oksana, have a unique approach to their craft, infusing their works with emotions, insights, and reflections on the world around them. Their dedication to preserving and promoting art is evident through their art school, where they pass on their knowledge and passion to the next generation of aspiring artists. Their creative endeavors continue to leave a lasting impact on the art world, inspiring viewers and fellow artists alike with their powerful and evocative works.
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