1720, 2025
Painting : oil, aerosol paint · 51 x 51 x 4 cm 20.1 x 20.1 x 1.6 inch · Ready to hang
€1,700
1 700 €
Shipping & delivery
Shipped from: Canada
Delivery to: Germany , € 103
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
oil , aerosol paint on canvas
Dimensions ( cm • inch )
51 x 51 x 4 cm 20.1 x 20.1 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024
Description
This artwork showcases a close-up portrait emphasizing a single, expressive green eye against a subtly textured skin. The artist's technique captures intricate details, revealing depth in the eye's gaze, drawing viewers into a moment of introspective thought. The surrounding skin is depicted with a realistic blend of warm tones, adding to the richness of the expression. Unique to this piece are elegant, swirling inscriptions in delicate white script, overlaying the image. These words suggest themes of introspection, possibly probing beauty's subjective nature. The interplay between text and image adds a dynamic layer, prompting contemplation beyond the visual. The artwork masterfully combines realistic portraiture with abstract elements, creating a captivating dialogue on perception and identity.
Presentation
Carl White was born in Liverpool, England in 1969.He Studied at the Alberta College of Art & Design from 1989-1992 in Calgary, Alberta. His paintings and drawings have been featured in many solo and group exhibitions across Canada since 1992 and reside in numerous private collections nationally and internationally. White currently lives and works in Calgary, Alberta where he divides his time between teaching and studio work.
Artist Statement
In the way that a poet would seek to understand language with the goal of approaching the sublime, I have tried to understand painting with similar purpose. The ability to move beyond the literal towards a truth. The tools of a painter are akin to that of a poet, words and their placement, language and its rhythm. I am painting poems, images that dance between realism and abstraction, text and flesh, with the hope that the viewer experiences rather than views.
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