To Fly or Not to Fly?.., 2025
Nataliya Bagatskaya   New & remarkable Artists

Painting : acrylic · 50 x 80 x 1.5 cm 19.7 x 31.5 x 0.6 inch · Ready to hang

€1,300 1 300 €
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Shipped from: Ukraine

Delivery to: Germany , € 60

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

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Dimensions ( cm • inch )

50 x 80 x 1.5 cm 19.7 x 31.5 x 0.6 inch Height x Width x Depth

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Description

The scene holds you captive, whispering a story beneath its surface. One figure faces the viewer, her expression calm yet layered with unspoken meaning. The other, turned away, deepens the sense of duality—connection and distance, presence and absence. Behind them, a lone single-propeller airplane rests under a sign that reads ROY'S AIRPORT, a silent promise of departure, uncertainty, or something left behind. The vast, velvety night sky stretches endlessly, swallowing sound, while the pale, dusty ground anchors the figures in stark contrast. This tension—earthly and ethereal, stillness and motion—creates a moment frozen in time, thick with nostalgia and suspense. It feels like the second before everything changes. Hyper-realistic yet haunting, the composition mirrors a cinematic still, one that lingers in the mind long after. Where are they headed? What unspoken thoughts pass between them? As a child, you might've simply noticed the airplane. Now, the weight of the scene—its silence, its secrets—pulls you in. The artist masterfully balances intimacy and surrealism, drawing the viewer into the space between the familiar and the unknown. A choice lingers: flight or fight? The painting doesn't just evoke adventure; it questions what we chase and what we leave behind. Crafted with premium Dutch acrylics on fine Italian canvas, sealed with satin varnish. The edges are painted for a seamless look. A signed and authenticated piece from the Life in Avatar series, securely packaged and ready to become part of your world.

Portrait

Landscape

Everyday life

Airport

Friends

Plane

Women

Black

Nataliya Bagatskaya, To Fly or Not to Fly?..
Ukraine  • 1967
208 followers

Presentation

Nataliya Bagatskaya (b. 1967 in Horodyshche, Ukraine; now based in Kyiv) is a distinguished Ukrainian contemporary artist and member of the National Union of Artists of Ukraine. She graduated in 1993 with a degree in clothing design from Kyiv National University of Technology and Design. She works primarily in acrylic, applying traditional oil painting techniques to achieve extremely detailed, hyperrealistic, photorealistic, and contemporary realism compositions within a metamodern framework.

Her thematic range includes portraits, still lifes, landscapes, and narrative scenes infused with pop culture, political references, iconic symbols, and visual irony. Bagatskaya’s creative approach melds technical craftsmanship with conceptual storytelling, creating visually powerful yet emotionally resonant artworks.

Her exhibition record exceeds 30 group shows and four solo exhibitions in Ukraine and abroad, including “A Little of Silence” (Kiev, 2017), “Wish You Were Here” (Lesya Ukrainka Museum, 2018), “The Night” (Zavalnyi Art Center, 2018), and “Live in Avatar” (Art‑Caffe Klub, 2022). Internationally, she participated in the 2019 Venice Biennale, art fairs in Toronto, and gallery projects in Italy, Switzerland, and Barcelona.

In 2021, she received the Grand Prix at the ProCheese Awards in Kyiv and was featured in prominent Ukrainian art platforms and exhibitions such as “365 Days After,” “Women in Art,” and “Hryvnia Art.” Her works are held in notable public collections, including the Museum of Outstanding Figures of Ukrainian Culture in Kyiv and the Korsak Museum of Modern Art in Lutsk, with additional acquisitions by private collectors across Europe and Asia.

Bagatskaya combines her background in fashion design with an exacting painting process involving over 100 preparatory photographs and multiple draft versions, sometimes up to six iterations per work. She dedicates up to 11 hours daily in her studio, striving to elevate acrylic painting to photographic realism that delivers a powerful “wow” factor. Her art challenges the boundary between human perception and imagery, using acrylic as a visual language.

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