The Man Who Wasn't King, 2023
Painting : oil · 30 x 10 x 1 cm 11.8 x 3.9 x 0.4 inch · Ready to hang
$1,742
1 742 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 151
Estimated delivery: Three to four weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
30 x 10 x 1 cm 11.8 x 3.9 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
32.5 x 12.5 x 4 cm 12.8 x 4.9 x 1.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
In 1993, Ray Richardson was commissioned a painting of Lennox Lewis ("The Coiled Spring") for the Telegraph Magazine that gave it then to the National Portrait Gallery. "Let’s Get Lost" is made from a study of that time that shows the boxer in training.
Presentation
Born in 1964, Ray Richardson lives and works in Woolwich (S.E. London).
Ray Richardson paints everyday life scenes based from his own experience: his native area of South-East London, travel memories or personal concerns expressed through his emblematic double, an English Bull Terrier. Mixing humour, drama and social critic, his painting tells vignettes of life, from childhood to adulthood, which often echo to soul music.
Richardson shapes this material by combining “the traditional stuff of painting with the cinematic ways of looking at things": close-up, use of shadow and elongated horizontal formats. Nicknamed the “Martin Scorsese of figurative painting", his painted snapshots immortalise urban pantomime.
His sophisticated compositions refer to both pictorial tradition (Hogarth, Hopper British littoral landscapes, abstract expressionism) and contemporary cultures (American street photography, film noir movies, James Ellroy novels, mods subculture). His narrative painting depicts a whole social panorama with its own culture.
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