Tranquil, 2024
Painting : oil · 60 x 80 x 4 cm 23.6 x 31.5 x 1.6 inch · Ready to hang
$2,515
2 515 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: United Kingdom
Delivery to: United States , $ 151
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 80 x 4 cm 23.6 x 31.5 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023
Description
Adrienne paints in oils on canvas or linen, and sometimes on silk or wood.
Her latest work is abstract paintings suggesting land and seascapes. "It is imagination, it comes from nowhere and is not worked out in advance and decided upon in terms of content or shape or colour – it forms itself, the colours merge and it is allowed to be. I like the image to form itself as I start to work and build up layers of colour and shade. I am interested in painting in a seamless way avoiding lines and edges and even brush strokes. Lines and edges define things and influence how we perceive them so I like to remove any lines and edges by merging colour and form and so make suggestions to the viewer that might trigger a memory or feeling of somewhere or something. This smooth, seamlessness I think suggests a transience and so fluid subjects like air or skies or memories can be caught and held for our gaze. The work is about potential expressed in a non verbal language and because it is not prescriptive it is more open to allowing our own creative and emotional interpretation."
Presentation
Adrienne paints in oils on canvas or linen, and sometimes on silk or wood.
“My latest work is abstract paintings suggesting land and seascapes. "It is imagination, it comes from nowhere and is not worked out in advance and decided upon in terms of content or shape or colour – it forms itself, the colours merge and it is allowed to be.
I like the image to form itself as I start to work and build up layers of colour and shade. I am interested in painting in a seamless way avoiding lines and edges and even brush strokes. Lines and edges define things and influence how we perceive them so I like to remove any lines and edges by merging colour and form and so make suggestions to the viewer that might trigger a memory or feeling of somewhere or something. This smooth, seamlessness I think suggests a transience and so fluid subjects like air or skies or memories can be caught and held for our gaze. The work is about potential expressed in a non verbal language and because it is not prescriptive it is more open to allowing our own creative and emotional interpretation."
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