Bronze Sculpture for Sale
Painting : acrylic · 100 x 150 x 5 cm 39.4 x 59.1 x 2 inch · Ready to hang
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Shipped from: Indonesia
Delivery to: France , € 350
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 150 x 5 cm 39.4 x 59.1 x 2 inch Height x Width x Depth
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
The Origins of Wayang Kulit Performances
Wayang Kulit is one of Indonesia's traditional art forms that has developed over centuries, particularly on the islands of Java and Bali. This art combines elements of drama, vocal art, music, visual art, and literature into a unique performance rich with philosophical meaning.
Origins and History
Influence of Local and Indian Culture
Wayang Kulit is believed to have originated from local Nusantara (Indonesian archipelago) culture, later influenced by Indian culture, especially during the introduction of Hinduism and Buddhism to Indonesia around the 1st century AD. Stories in wayang such as the Ramayana and Mahabharata are literary legacies from India that were then adapted with local nuances.
The Hindu-Buddhist Kingdom Era
Wayang performances flourished during the time of major kingdoms such as the Medang Kamulan, Ancient Mataram, and Majapahit kingdoms. At that time, wayang served as a medium for religious preaching, education, and entertainment for both the common people and the nobility.
Transformation During the Islamic Period
When Islam spread to Java, wayang art did not disappear. In fact, the Wali Songo (nine Islamic saints), especially Sunan Kalijaga, used wayang as a tool for preaching. The form of wayang kulit was modified so it wouldn't resemble human figures (in accordance with Islamic prohibitions), and Islamic values were incorporated without eliminating the local cultural roots.
Function and Meaning
Wayang Kulit is more than just entertainment. It conveys moral messages, spiritual teachings, and depicts the conflict between good and evil. Characters like the Pandawa and Kurawa reflect the complex and dilemma-filled nature of human beings, yet always oriented toward goodness.
Wayang Kulit Performances
Performances are usually held at night and can last until dawn. In a single show, the dalang (puppet master) performs all the characters with remarkable skill and fluidity. The dalang also serves as narrator, voices the characters, and controls the storyline, accompanied by a gamelan orchestra and sindhen (female vocalists).
Characters:
Short Plot Summary:
Scene 1: The Haunted Forest of Seranggi
In the southern part of the Pancawati kingdom lies a cursed forest ruled by a terrifying creature called the Seranggi Dragon—a massive beast spreading poison and fear. The people dare not enter, for the dragon devours both humans and animals alike. Meanwhile, Jatayu, an old Garuda bird, feels called to protect the balance of nature. He resides atop Mount Mahendra, watching over the world below.
Scene 2: Shocking News
News of the Seranggi Dragon reaches Rama, who is living in exile with Shinta and Laksmana. However, as Rama is busy protecting Shinta from another looming threat (the shadow of Ravana), he sends Hanuman to investigate.
Hanuman reaches the forest but nearly falls victim to the dragon's poison, only to be saved by Jatayu. Hanuman pays his respects and conveys Rama's mission. Feeling it is time to once again uphold dharma, Jatayu agrees to face the dragon.
Scene 3: The Battle
Jatayu approaches the lair of the Seranggi Dragon. A tense dialogue follows: the dragon confesses he was sent by a dark force from Alengka (Ravana), with orders to destroy nature and spread terror to distract Rama.
Jatayu challenges the dragon, and a grand battle unfolds across sky and earth. The dragon breathes fire and poison; Jatayu strikes with his claws and radiant wings. Finally, Jatayu pierces the dragon's eye with his talon and defeats him.
Scene 4: Ending and Moral Message
With the dragon slain, the forest flourishes once more, and the people can return to farming. Rama, Hanuman, and the people honor Jatayu, who returns to his perch on Mount Mahendra.
Semar and the Punakawan appear to deliver a message:
Kusbudiyanto, a contemporary Indonesian artist, was born in 1969 and lives in Yogyakarta, a city at the heart of artistic creation in Indonesia. From an early age, he developed a passion for depicting rural life, which he began to illustrate through drawing and painting. Before devoting himself fully to his artistic career, he worked in the craft design sector, which refined his sensitivity to materials, textures and cultural symbolism.
Since 2016, Kusbudiyanto has devoted himself exclusively to canvas painting, developing a colorful, pattern-rich figurative style inspired by traditional Javanese culture. His works evoke celebrations such as Satu Suro, symbolic elements such as keris or wayang kulit, and everyday scenes involving humans and animals. Through his compositions, he pays homage to the myths, rituals, and folk tales of the Indonesian archipelago, particularly those of Java.
His style is often described as tropical, both for its vibrant palette and the abundance of plant, floral, and animal motifs. He uses acrylic and mixed media on canvas, constructing detailed scenes where traditions, spirituality, and community life intersect. Children, markets, the forest, and local wildlife are all recurring subjects that reflect a narrative and humanist approach to creation.
Since 2017, Kusbudiyanto has exhibited regularly in Indonesia and internationally, including in Yogyakarta, Singapore, and other Southeast Asian art centers. His work is collected by contemporary Indonesian art enthusiasts who appreciate the cultural richness of his visual narratives.
All our reviews are extracted from Verified Reviews
Painting . 100 x 100 x 3 cm Painting . 39.4 x 39.4 x 1.2 inch
€2,000
Fine Art Drawings . 50 x 65 x 0.1 cm Fine Art Drawings . 19.7 x 25.6 x 0 inch
€1,200
Painting . 66 x 66 x 3 cm Painting . 26 x 26 x 1.2 inch
€1,300
Painting . 80 x 140 x 3 cm Painting . 31.5 x 55.1 x 1.2 inch
€12,000
Painting . 100 x 150 x 1 cm Painting . 39.4 x 59.1 x 0.4 inch
€2,374
Painting . 65 x 65 x 3 cm Painting . 25.6 x 25.6 x 1.2 inch
€1,500
Fine Art Drawings . 50 x 67 x 0.1 cm Fine Art Drawings . 19.7 x 26.4 x 0 inch
€3,000
Print . 57 x 72 x 0.05 cm Print . 22.4 x 28.3 x 0 inch
€600
Fine Art Drawings . 86 x 62 x 0.1 cm Fine Art Drawings . 33.9 x 24.4 x 0 inch
€4,000
Painting . 95 x 85 x 4 cm Painting . 37.4 x 33.5 x 1.6 inch
€2,800
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