Threads of the Unspoken, 2025
Painting : oil, acrylic · 90 x 90 x 2 cm 35.4 x 35.4 x 0.8 inch · Ready to hang
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
90 x 90 x 2 cm 35.4 x 35.4 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Description
"Threads of the Unspoken" is a large mixed-media painting (oil and acryl paint) measuring 90 x 90 cm, part of my landscape series "The Geometry of Letting Go".
This piece feels like a canvas woven from memories. Not the loud ones, but the quiet, unspoken moments that stay with me in color and feeling rather than words.
The golden fields and soft blue tones carry something tender — like fragments of thoughts I never said out loud, but still remember.
While painting, I wasn't trying to hold onto anything. I simply let it all flow through me — the memories, the emotions, the silence in between.
Some parts are clear, others blurred, like the way the past drifts in and out of the present. And somewhere in that in-between space, this painting came to life.
With this series, I make my own landscapes of memory visible – somewhere between light and form, nature and memory.
The artwork will be shipped without a frame and will be ready to hang.
The artwork is titled on the back and signed on the front, and it comes with a certificate of authenticity.
Please feel free to ask any questions if needed.
** Canvas already stretched on a wooden frame, high quality.
** Ready to hang, sides are painted.
** Fast worldwide shipping in secure packaging.
Presentation
Vera Hoi is a contemporary artist who approaches landscape as a psychological territory shaped by memory, belonging, transformation, and the search for home.
Forests, lakes, mountains, autumn light, and distant horizons provide the visible framework of her paintings, yet these landscapes rarely remain purely external. Through layering, translucent fields, geometric interruptions, dark passages, and areas of luminosity, Hoi turns nature into a metaphor for the accumulation of lived experience.
For the artist, home is not necessarily a fixed geographical location. It can exist internally, carried through memories, relationships, loss, and the experiences that continue to shape a person regardless of where they live.
This idea is central to The Geometry of Letting Go. Geometric fragments enter natural environments like memories appearing within the present. Some remain sharply defined; others fade, overlap, or become partially obscured. Dark and light layers coexist across the surface, reflecting the way difficult and joyful periods become inseparable parts of a single life.
Autumn holds particular significance in Hoi's work. It represents change without absolute disappearance: leaves fall, colors deepen, the landscape transforms, but life continues in another form.
Based in Austria, Hoi has exhibited internationally across Europe and the United States. Her paintings suggest that letting go does not require forgetting. What has shaped us can remain — altered, integrated, and carried differently — while even the darkest passage eventually gives way to returning light.
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