Elohim, 2017
Boris OA  

Painting : acrylic · 128 x 79 x 0.5 cm 50.4 x 31.1 x 0.2 inch

$3,515 3 515 $US

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Shipped from: France

Delivery to: United States , $ 288

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

128 x 79 x 0.5 cm 50.4 x 31.1 x 0.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

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Description

Boris OA unfolds a lush composition that blends, in a single breath, the history of painting and contemporary visual languages. The gaze wanders through a crowd of hybrid characters, repurposed objects, religious or pop symbols, which coexist without hierarchy. One thinks of the narrative density of Hieronymus Bosch, the dark humor of Dubuffet, or the graphic spontaneity of Free Figuration.

His unique style, made up of vivid lines, crisp flat tints, and text inserted directly into the image, evokes comics, manga, and street art. This hybridity is assumed: Boris OA intentionally blurs the lines between high art and popular culture.

The word Elohim, a reference to the biblical deity, places the work within a symbolic dimension, but without dogma. Rather, it is a mental map of the world, onto which everyone can project their fears, beliefs, and absurdities. The work is striking for its vitality, its controlled chaos, and its ability to condense centuries of imagination into a resolutely contemporary gesture.

Street art

Fantastic

Pop Art

Urban art

Post-cubisme

Psychedelic

Grey

Pink

Boris OA, Elohim

Boris OA

Chile  • 1982

Presentation

Boris Obregon was born in Chile in 1982. He currently lives and works in France where he settled in Sète.

He began his studies in Iquique, Chile where he studied architecture during 3 years. He then decided to move to Brazil where he joined an artistic training workshop in Sao Paolo in 2003.

Even if he gave up architecture to devote himself completly to his passion for painting, architecture has never really disappeared from his practice. In his chromatic landscapes graphic lines collide with each other, and in the portrayed scene. The surfaces distinguish one from the other but are placed in the same plane where the perspectives do not have any laws and let the characters evolve without limit. A same face can thus appear in front and on the side at the same time.This free interpretation of the composition lets us see his great technical mastery.

Boris Obregon paints mostly life scenes, daily life situations that he translates through his own reality. His narrative style is impregnated with a certain crazyness where we can find hybrid characters. Half human, animal or robot, the creatures that inhabit his pieces can have various expressions and facets, but they form a whole where the environment is definetly cheerful. Between free figuration and singular art, Boris Obregon manages to create a different universe from one piece to the next.

Each space of his urban fantasies is used, either by objects, decoration or the interaction among the crowd, there is always a detail which caughts up our attention.

Boris Obregon has exhibited his work mainly in South America, in Chile, Bolivia and Argentina, and recently in Europe at the Bugatti Fair in Milan.

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