Bronze Sculpture for Sale
Autumn Silence, 2025
Painting : oil · 15 x 20 x 2 cm 5.9 x 7.9 x 0.8 inch
€385
385 €
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Shipped from: Ukraine
Delivery to: France , € 48
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
15 x 20 x 2 cm 5.9 x 7.9 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
AAA5147
The oil painting on Cardboard titled "Autumn Silence" immerses the viewer in the golden, contemplative hush of a fall landscape where time appears to pause. The composition is dominated by richly textured haystacks, lined up like quiet sentinels beneath the warm slant of autumn light. The scene captures a moment that feels sacred—an invitation to observe and to feel the stillness that comes after the labor of the harvest has ended. The haystacks are painted in earthy ochres, burnt siennas, deep oranges, and soft purples, crowned with glints of pale yellow and ivory that suggest either the last light of day or the first touch of frost. Each haystack is slightly different in shape and contour, giving the impression of individuality within repetition. Their thick, sculptural brushstrokes make them appear tactile, grounded, and full of life even in stillness. Their supportive poles jut into the air like rooted limbs, giving a subtle rhythm to the scene, echoing the trees behind them. The background forms a dense, almost impenetrable forest. This wall of foliage, rendered in deep wine reds, shadowy greens, and dusky purples, stands like a curtain drawn against the fading day. The trees are not sharply defined—they pulse with abstract energy, their trunks and branches emerging from the shadows with bold strokes of crimson and umber. The interplay between the soft foreground and the intense, mysterious backdrop creates a striking contrast that enhances the meditative mood of the work. The foreground is an expanse of yellowed grass and earth, painted with confident, sweeping strokes of ochre, mustard, and muted blue. The surface feels uneven, trampled by work now done, and yet, no human figures remain. This absence is key to the silence of the piece—everything has been gathered, stored, completed. What remains is the breath of the land and the rustle of dry grass in the air. The use of color in "Autumn Silence" is particularly expressive. The warm golden hues convey peace and closure, while the cooler shades—violets, blues, and charcoal—speak of the coming stillness of winter. There is no visible sky, only the suggestion of twilight seeping in through the upper edge of the canvas, bringing a dreamlike, suspended atmosphere. It is neither bright nor dark, but a moment of transition, a space between the visible and the invisible.
Presentation
Oksana Antonivna Ivanyuk is an outstanding artist from Poltava, Ukraine, born on November 9, 1964, in the village of Zorya, Rivne region. Her talent and love for art manifested from a young age, and she decided to dedicate her life to creating marvelous paintings.
Oksana Antonivna obtained a higher education at the N. Samokish Crimean Art School, where she was mentored by eminent artists H. Kurylenko and V. Hryhoriyev. After completing her studies, she actively developed her talents in the field of painting, focusing on realistic-style landscapes and still lifes.
From 1989 to 2008, Oksana worked as an art teacher at the Pyriatyn School-Gymnasium of Aesthetic Education in Poltava Oblast, where she imparted her knowledge to her students and instilled in them a love for art.
As an active member of the National Union of Artists of Ukraine since 2010, Oksana participated in various exhibitions, both at the national and international levels, earning recognition for her talent and mastery.
Oksana Ivanyuk held solo exhibitions in Kyiv, Lubny (Poltava Oblast), Pryluky (Chernihiv Oblast), and Poltava, where she showcased her profound and emotional works. Among them are "The Last Snow. March" (2002), "Flood" (2005), "Silence" (2006), "The Last Ray," "Christmas Cathedral" (2008), "Autumn," "Kalyna on the Table" (2010). Her artworks can also be found in the National Art Museum and the Museum of Cultural Heritage in Kyiv.
Residing and working in Poltava, Oksana Ivanyuk embodied her artistic ideas in striking canvases that convey her inner awakenings, feelings, and emotions. Her art always captivates and leaves a sense of profound harmony with nature and the surrounding world.
After graduating from the N. Samokish Crimean Art School, the elder generation of Ivanyuks, Oleksiy and Oksana, founded their own art school in Pyriatyn, a small town in Poltava Oblast, which they supported financially for over a decade. Growing up under the influence of classical art, the couple favored working from nature, depicting classical still life and monumental canvases, with the secret of their compositional and dramatic strength lying in the use of naturism as their core philosophical concept.
In Oleksiy Ivanyuk's Poltava landscapes, there is a greatness in simplicity, a view of ordinary suburban landscapes as wonders that are no longer accessible to the average resident of a metropolis. Fauvist colors and impasto techniques are applied by the master to enhance expressiveness, while thick brushstrokes emphasize the form and relief of the depicted objects. Familiar places, houses immersed in green gardens, boundless steppes, fields, forest glades, and streets become lyrical abstractions and reach the level of aesthetic reflection, reflecting the author's sensory perception of the world.
In Oksana Ivanyuk's vibrant floral still lifes, baroque polyphony is embodied, which is why seemingly secondary elements become the main elements of the composition. Her lush bouquets are universal floral images of binary culture, with a variety of meanings that correspond to the main higher needs of existence. For Oksana Ivanyuk, reproducing flowers is always a display of personal experiences, a demonstration of her own attitude towards life situations, and the image itself becomes a symbol of beauty and harmony.
Both artists, Oleksiy and Oksana, have a unique approach to their craft, infusing their works with emotions, insights, and reflections on the world around them. Their dedication to preserving and promoting art is evident through their art school, where they pass on their knowledge and passion to the next generation of aspiring artists. Their creative endeavors continue to leave a lasting impact on the art world, inspiring viewers and fellow artists alike with their powerful and evocative works.
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