Towards the sun and my desire, 2025

Dasha Pogodina   Best sellers Emerging artists

"Towards the Sun and My Desire" from the series is a portrayal of movement towards the self, towards one's own passion, towards an inner sun that is both the destination and the source. This work speaks of longing that holds no rush or aggression — only confidence, embodiment, and a clear knowing of the path.

It is a painting about the return of desire as a force that doesn't destroy, but gathers. Here, desire is not opposed to reason, nor equated with weakness — on the contrary, it becomes a compass, pointing in the direction where one can be in harmony with oneself.

The piece reflects the idea of inner maturity: to walk towards what truly matters, without justifications, without fear of being seen, without fear of vulnerability. It is a journey where the personal becomes sacred, and desire — an act of moving toward light, life, and wholeness.

PERICHORESIS SERIES 

“Perichoresis" (ancient Greek περιχώρησις - “interpenetration"), a theological term meaning the mutual penetration of divine parts into each other, to describe a unique union that does not imply mixing or merging, but emphasizes an indivisible unity.

Daria explores the theme of new sexuality, deliberately choosing a term from theological treatises for her series of works.

With this gesture, she protests against the dictates of religion, the church's manipulation and pessimization of human sexual manifestations and physicality, the false meanings and concepts with which religions have burdened, and instead of building true connections and bridges for man and God, they build walls.

“Perichoresis" for her is a beautiful and complex term that describes the fusion of the divine and the material. Having grown up in the Protestant tradition within an Orthodox society, Daria notes the common separation of sexuality from divinity in all these religions, while she sees sexuality as the clearest manifestation of divinity, beauty, and sublimity.

The artist notes that Christian culture has invested the image of the female body with a narrative of pornographic tension, while at the same time presenting paradise before the Fall as a sexual paradise, the Garden of earthly pleasures. For the artist, sexual paradise is a safe environment, complete trust, acceptance, the opportunity to open up and discover the Other, the opportunity to learn to be loved and to love.

Love is an environment where merging does not dissolve in another person, but on the contrary, strengthens the individuality of each and enriches each other.

Thus, the artist reminds that the division into the sublime and the low in love is artificial, and overcoming this division can make life more beautiful. The heroes of her paintings are immersed in the enigmatic space of love, and sometimes there are ironic scenes that balance the degree of sublimity.