Pearl, 2024
Painting : acrylic · 50 x 40 x 0.1 cm 19.7 x 15.7 x 0 inch · Ready to hang
€350
350 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 23
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
50 x 40 x 0.1 cm 19.7 x 15.7 x 0 inch Height x Width x Depth
Artwork dimensions including frame
63 x 53 x 2 cm 24.8 x 20.9 x 0.8 inch
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
A tribute to Vermeer revisited by Cubism, a vibrant, modern and timeless work.
Acrylic on textured paper 50 x 40 cm, (framed with mat 60 x 50 cm).
This work pays homage to Vermeer by revisiting his world through a cubist and contemporary approach.
Geometric shapes and contrasts of warm and cool colors create a stylized profile, between figuration and abstraction.
A vibrant and modern painting, ready to enhance any interior.
Homage to Vermeer.
Acrylic on textured paper (50 x 40 cm) framed with mat total size 60 x 50 cm).
This artwork pays homage to Vermeer while reinterpreting his universe through a cubist and contemporary lens.
Geometric shapes and contrasts of warm and cool tones create a stylized profile, balancing figuration and abstraction.
A vibrant, modern piece ready to enhance any interior.
Presentation
I create my paintings by assembling fragments of color, material, and emotion. Inspired by Cubism, the works of the Masters, human forms, and everyday objects, I always seek a balance between structure and sensitivity.
Each work is born from a dialogue between geometry and spontaneity, drawing and color, memory and intuition.
Trained at the Beaux-Arts workshops in Paris and passionate about art history, I paint with pigments, textures and above all with this constant need to make the material vibrate.
My work tells of often feminine presences in deconstructed spaces where abstraction leaves room for the tenderness of the line.
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