Le grand sot, 2025
Antony Squizzato   Emerging artists

Painting : acrylic · 40 x 30 x 0.1 cm 15.7 x 11.8 x 0 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40 x 30 x 0.1 cm 15.7 x 11.8 x 0 inch Height x Width x Depth

Artwork dimensions including frame

45 x 35 x 3 cm 17.7 x 13.8 x 1.2 inch

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Credentials

Vetted seller since 2025

Description

This captivating work manifests a bold geometric symphony, blending abstract forms and vibrant colors. The tilted central brown rectangle appears to float, creating a striking dynamism. Intense blue bands frame the work, providing unexpected depth and freshness. Subtle black circles add a touch of mystery, subtly guiding the eye through the composition. The contrast between warm and cool tones evokes an intriguing visual dialogue. A blue undulating shape on the right balances the rigor of the straight lines, adding fluid movement. The black outline at the bottom right anchors the composition, lending an elegant structure. The discreet signature at the bottom right testifies to the artist's personality. It is a work that harmoniously combines abstraction and emotion, inviting the viewer to thoughtful contemplation.

Abstract

Geometric

Geometric abstraction

Dark blue

Antony Squizzato, Le grand sot
France  • 1975
957 followers

Presentation

Born in 1975, Squizzato began a full-time painting career in 2013, after fifteen years of creative direction in the digital advertising industry. He reached the limits of the system – inventiveness for brands – to finally feel the urgency of his own creation and realize a vital need to free his imagination.

As a polymorphous artist, Squizzato is a permanent seeker. A free mind, in search of meaning to escape the dictatorship of instant information, to observe a cynical vision produced by a sanitized marketing world.

Squizzato uses the technology of his time, digitized, rationalized, as well as oil techniques from the old masters. He constantly challenges himself, while being inspired by movements that have always influenced; Cubism, Constructivism and Suprematism, Bauhaus, and lately Pop-Surrealism.

Most of his works depict a dual society of networks and loneliness, the transfiguration of identity through screens and devices.

After the year 2014, which was totally dedicated to workshop life, more than 100 paintings realized and several exhibits with encouraging reviews, it looks obvious that a new movement is beginning.

Squizzato evokes the end of an era, the coming expiration of unlimited growth and globalized consumption. He is portraying a world where realtime information and access to material goods are not yet enough to balance frustration with the enjoyment of owning. A world that he has fed for many years.

Squizzato found no existing genre in which to classify his work, and decided to establish Pop-Constructivism to call for a need for change, objective forms carrying universal meaning, hybridization with new media and the use of minimal, abstract or surrealist patterns to serve the unique world of the artist.

In each of his paintings, one will find no sanctions or one way visions, but a call for free will, wandering imagination, and the start point for discussions.

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