Untitled 8, 2025
Painting : oil, ink, charcoal · 49 x 75 x 1 cm 19.3 x 29.5 x 0.4 inch
€400
400 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 36
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
49 x 75 x 1 cm 19.3 x 29.5 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
This artwork presents a dynamic blend of abstract and representational elements, drawing the viewer into a world of contrast and symbolism. The upper portion features a bold, black form with intense, layered brushstrokes, creating a sense of movement and depth. Interspersed within this dark mass are ethereal, silver floral motifs, adding a touch of elegance and mystery. Below, a horizontal section separates the abstract from a bed of stylized silver flowers, meticulously detailed against a soft beige backdrop. The clever juxtaposition of dark and light, chaos and calm, invites contemplation. The inclusion of subtle red highlights adds an unexpected vibrancy. This piece stands out for its ability to evoke emotion through contrasting textures and tones, making it a captivating exploration of duality and harmony.
Presentation
Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relations from Caucasus University. In 2020. In her debuts, she published a book as an author. Currently, she works in the fashion industry but her true passion resides in art. Her artistic works explore the connection between herself and her soul, throughout spiritual beliefs and her religious aspirations.
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