Eloge de la lecture, 2025
Painting : oil, Knife Painting · 50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch · Ready to hang
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Shipped from: France
Delivery to: United States , $ 144
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
oil , Knife Painting on canvas
Dimensions ( cm • inch )
50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
57 x 57 x 3.5 cm 22.4 x 22.4 x 1.4 inch
Sold by
Independent artist
Credentials
Vetted seller since 2022 • Top Seller
Description
In Eloge de la lecture (In Praise of Reading), Sophie Dumont continues her exploration of stylized libraries, which have become her true signature over time.
The colored volumes, organized in strata, seem to form a visual score: each book becomes a note, each shade a vibration of memory.
The dominant blue and ocher, punctuated by subtle greens and reds, creates a luminous balance between calm and energy.
Through the density of the oil material, worked with a palette knife, the artist evokes the superposition of readings and thoughts, like strata of knowledge and time.
This composition, both structured and poetic, celebrates the silent beauty of books, the permanence of the act of reading, and the intimate dialogue between culture and emotion.
Presentation
Born in 1964 in Suresnes, near Paris, Sophie Dumont lives and works in Langrune-sur-Mer, in Normandy. Self-taught, she began to paint in 1991 and develops research focused on matter, color, and the construction of space.
Her work unfolds in several series: libraries, abstract landscapes, studios, and geometric compositions gathered under the title Interior Architectures. These ensembles explore the relationships between memory, structure, and human presence. Books become rhythms and volumes; landscapes transform into expanses of color; studios retain the signs of activity and passage. In her geometric compositions, curves and rectangles organize a space where forms can evoke an architecture, an instrument, or a silhouette without fixing themselves in a single representation.
Sophie Dumont works mainly with oil on canvas, palette knife, and brush. The painting is built slowly, through successive layers, superimpositions, scrapes, and erasures. Earlier states remain perceptible and contribute to the depth of the work. The geometry of the compositions thus dialogues with a surface marked by gesture and time.
From one series to the next, her approach maintains this same tension between construction and matter, between what appears and what remains hidden. Her works are shown in France and internationally and are featured in private collections around the world.
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