Fusion des éléments II, 2026
Painting : oil, Knife Painting · 40 x 40 x 2 cm 15.7 x 15.7 x 0.8 inch · Ready to hang
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Shipped from: France
Delivery to: Spain , € 108
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
oil , Knife Painting on canvas
Dimensions ( cm • inch )
40 x 40 x 2 cm 15.7 x 15.7 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
47 x 47 x 3.5 cm 18.5 x 18.5 x 1.4 inch
Sold by
Independent artist
Credentials
Vetted seller since 2022 • Top Seller
Description
In Fusion of Elements II, Sophie Dumont constructs the landscape through a succession of strata where dull blues, mineral grays, chalky whites, ochres, and earthy reds meet.
The different zones seem to overlap, dissolve, and then reappear, deliberately blurring the boundaries between sky, earth, and horizon. The material, worked in successive layers and then partially scraped, allows the earlier colors to surface and gives the surface its depth.
This work is part of Sophie Dumont's research into abstract landscape. Nature is not literally represented: it becomes the starting point for a work on material, color, and the construction of space.
Sophie Dumont is a contemporary French painter. Her work develops around several series—abstract landscapes, libraries, studios, and geometric compositions—united by a common research into material, balance, and color. Her works are exhibited in galleries and museums and belong to private international collections.
Presentation
Born in 1964 in Suresnes, near Paris, Sophie Dumont lives and works in Langrune-sur-Mer, in Normandy. Self-taught, she began to paint in 1991 and develops research focused on matter, color, and the construction of space.
Her work unfolds in several series: libraries, abstract landscapes, studios, and geometric compositions gathered under the title Interior Architectures. These ensembles explore the relationships between memory, structure, and human presence. Books become rhythms and volumes; landscapes transform into expanses of color; studios retain the signs of activity and passage. In her geometric compositions, curves and rectangles organize a space where forms can evoke an architecture, an instrument, or a silhouette without fixing themselves in a single representation.
Sophie Dumont works mainly with oil on canvas, palette knife, and brush. The painting is built slowly, through successive layers, superimpositions, scrapes, and erasures. Earlier states remain perceptible and contribute to the depth of the work. The geometry of the compositions thus dialogues with a surface marked by gesture and time.
From one series to the next, her approach maintains this same tension between construction and matter, between what appears and what remains hidden. Her works are shown in France and internationally and are featured in private collections around the world.
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