Bronze Sculpture for Sale
Supervillain, Circa 2024
Painting : oil · 51 x 41 x 4 cm 20.1 x 16.1 x 1.6 inch · Ready to hang
€605
605 €
Shipping & delivery
Shipped from: Canada
Delivery to: France , € 79
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
51 x 41 x 4 cm 20.1 x 16.1 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024
Description
This striking artwork juxtaposes abstraction with realism, centering on a vividly painted dog's head emerging from a textured white background. The dog's expression is captured with remarkable detail, offering an arresting gaze that commands attention. Surrounding the focal point is an abstract amalgamation of colors—greens, blacks, and pinks—that vividly contrasts with the crispness of the canine's depiction. Notably, splashes of pink drip along the lower portion, adding dynamic movement and visual intrigue. The painting's composition plays with depth and form, challenging viewers to explore the tension between abstraction and realism. This artwork uniquely combines expressive brushwork with meticulous detailing, offering a captivating commentary on perception and reality. The contrasting elements are skillfully balanced, creating a piece that is both thought-provoking and visually stimulating.
Presentation
Doug Thoms is a contemporary figurative painter living and working in Tofino, BC on the traditional and unceded territory of the Tla-o-qui-aht First Nation. He was born in Belleville, Ontario, Canada, in 1965 and in 1989 he received a BAA from the Ontario College of Art and Design. From 1992 until 2010, Doug worked in the animation industry as a designer, storyboard artist and director. In 2010, Doug transitioned to a full time painting practice.
Doug Thoms embraces painting as a space of unruly play. Each canvas brims with an undisciplined jumble of imagery: fragmentary figures, distorted objects, and painterly gestures that slip in and out of legibility. The works are built from an eccentric set of visual obsessions, filtered through a wide range of stylistic tropes, and arranged with deliberate disregard for tidy cohesion.
What emerges are colourful, abstracted figurative compositions that are at once bright and disarming. Their saturated palettes and energetic brushwork draw the viewer in, even as the subject matter hints at darker undercurrents. Pop-culture dystopias, vague yet haunting narratives, and flashes of absurd humour collide in these layered spaces. The result is a visual theatre of contradiction—chaotic yet carefully orchestrated, playful yet foreboding.
By leaning into disorder, Thoms invites us to linger in the instability of meaning. The paintings resist resolution, instead suggesting that our contemporary condition may itself be best reflected in fragments, distortions, and mischievous narrative gaps.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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