Dark days, 2025
Zied Lasram  

Painting : oil · 60 x 60 x 4 cm 23.6 x 23.6 x 1.6 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 60 x 4 cm 23.6 x 23.6 x 1.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

This artwork is an entrancing blend of abstraction and figurative elements that captivates through its use of vibrant hues and dynamic forms. At its core, swirling shades of blue, yellow, and pink create a dreamlike atmosphere, evoking a sense of fluid movement and transformation. The composition features ethereal figures, whose ghostly outlines emerge from the vibrant backdrop, each exuding an essence of mystique and emotion. The juxtaposition of bold, expressive brushstrokes with delicate, intricate lines adds depth and complexity. The focal point is a soft, captivating face, conveying a serene yet enigmatic presence. This piece uniquely captures the interplay between chaos and tranquility, inviting viewers to explore its layers of meaning and emotion. The artist's deft manipulation of color and form creates a harmonious yet thought-provoking visual experience, making this work a compelling study of the human psyche and abstract beauty.

Nude

figurative

Human body

Colors

Women

Silhouette

Yellow

Sky blue

Zied Lasram

Tunisia  • 1962

Presentation

Born in 1962 in Tunisia, Zied Lasram grew up in the sacred village of Sidi Bou Saïd, among saints, poets, and cats—completely indifferent to the hordes of tourists to whom he sold his watercolors. It was there that he opened his first studio—“a lair of encounters," as his friend Mahmoud Chalbi describes it, “where passing princesses, poet-artists, village eccentrics, bourgeois souls in search of belonging, and enlightened spirits from all horizons would mingle."

In 1991, he obtained a Master's degree in Art Sciences and Techniques, with a specialization in Graphic Design, at the Institut Technologique d'Art d'Architecture et d'Urbanisme de Tunis.

But this dreamer has ants in his brush. He multiplies his stops, moving from studio to studio—from La Soukra to La Marsa, then to Gammarth—until he finally arrives in Djerba, where, as he well knows, the air is so gentle it keeps one from dying. More importantly, it is where he finds the peace and serenity he had always lacked.

It was in some obscure ornithology manual that he discovered the bird Calliste: a bird that resembles him—joyful, delightfully colorful, with a shimmering beauty that enchants and a song that is pure poetry.

That is Zied Lasram: a free spirit who knows no boundaries of time or space, an artist from a bohemia that no longer exists—not even in the art world. A talented visual artist, he seeks, discovers, changes course, and returns to a path he never consciously chose, but which is unmistakably his own.

There, on that blissful island—an indistinct universe open to the wide winds, on the edge of the real and the imaginary—Zied Lasram creates a world where flower-women speak with whistling birds, in an enchanted Eden. As dreamlike as his inspiration may be, Zied Lasram nevertheless maintains a mastery of line, technical ease, fluid movement, and a delicacy of color. Calliste, his companion, is a bird that suits him perfectly.

He has been collaborating with the Tobian Art Gallery since 2025. He has exhibited in France, Switzerland, Italy, and Tunisia, and has participated in the Art Fair in Basel. His work is part of private collections around the world.

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