La gardienne de vache en forêt de Fontainebleau., Circa 1900
Painting : oil · 25 x 33 x 7 cm 9.8 x 13 x 2.8 inch · Ready to hang
$3,767
3 767 $US
One of the last works available by this artist
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Shipped from: France
Delivery to: United States , $ 126
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
25 x 33 x 7 cm 9.8 x 13 x 2.8 inch Height x Width x Depth
Artwork dimensions including frame
39 x 47 x 8 cm 15.4 x 18.5 x 3.1 inch
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Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2025
Discount
This seller offers discount when you purchase multiple artworks.
Description
Exquisite painting, very fine composition Minor restauration under UV light. No further restauration necessary.
Paul Vernon, born in 1796, was a student of Diaz and Théodore Rousseau. He exhibited at the Salon and is thus considered a Master of the Barbizon school. According to an extract from the Journal des deux monde, Journal des grands voyages published in 1880, he is described as such: "Paul Vernon is now a Master of those of the second generation. The first which is composed of Diaz, Corot, Rousseau etc...
In Paul Vernon, talent is subdivided into two distinct ways: when he is himself, full of melancholic reveries, as befits a singer of the woods, as he was at Bas-Breau, as he is in the forest of Chambord and at Belles-Croix, there, the fanfares of the Pan Flute have muffled tones and the old oaks plunge into the atmosphere. He is an imitator of Rousseau, he is so in such a way that the most cunning expert does not see a thing, and does not know how to distinguish the Master from the pupil. I keep for the "good mouth" a realist painter of the most sincere and the most distinguished."
Presentation
Paul Vernon, born in 1796, was a student of Diaz and Théodore Rousseau. He exhibited at the Salon and is thus considered a Master of the Barbizon school.
According to an excerpt from the Journal des deux mondes, Journal des grands voyages published in 1880, he is described as follows: "Paul Vernon is now a Master of the second generation. The first generation, which consists of Diaz, Corot, Rousseau, etc... In Paul Vernon, talent is subdivided into two distinct modes: when he is himself, full of melancholic reveries, as befits a bard of the woods, as he was at Bas-Breau, as he is in the forest of Chambord and at Belles-Croix, where the fanfares of the Pan Flute have muted tones and the old oaks plunge into the atmosphere. When he imitates Rousseau, he does so in such a way that the most astute expert cannot see a thing and cannot distinguish the Master from the pupil. I save for last a most sincere and distinguished realist painter."
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