La gardienne de vache en forêt de Fontainebleau., Circa 1900
Paul Vernon  

Painting : oil · 25 x 33 x 7 cm 9.8 x 13 x 2.8 inch · Ready to hang

€3,250 3 250 €

One of the last works available by this artist

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

25 x 33 x 7 cm 9.8 x 13 x 2.8 inch Height x Width x Depth

Artwork dimensions including frame

39 x 47 x 8 cm 15.4 x 18.5 x 3.1 inch

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Vetted seller since 2025

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Description

Exquisite painting, very fine composition Minor restauration under UV light.  No further restauration necessary.

Paul Vernon, born in 1796, was a student of Diaz and Théodore Rousseau. He exhibited at the Salon and is thus considered a Master of the Barbizon school. According to an extract from the Journal des deux monde, Journal des grands voyages published in 1880, he is described as such: "Paul Vernon is now a Master of those of the second generation. The first which is composed of Diaz, Corot, Rousseau etc... 
In Paul Vernon, talent is subdivided into two distinct ways: when he is himself, full of melancholic reveries, as befits a singer of the woods, as he was at Bas-Breau, as he is in the forest of Chambord and at Belles-Croix, there, the fanfares of the Pan Flute have muffled tones and the old oaks plunge into the atmosphere. He is an imitator of Rousseau, he is so in such a way that the most cunning expert does not see a thing, and does not know how to distinguish the Master from the pupil. I keep for the "good mouth" a realist painter of the most sincere and the most distinguished."

Landscape

Animal

Cow

Trees

Sky blue

Green

Paul Vernon, La  gardienne de vache en forêt de Fontainebleau.

Paul Vernon

France  • 1800  - 1875

Presentation

Paul Vernon, born in 1796, was a student of Diaz and Théodore Rousseau. He exhibited at the Salon and is thus considered a Master of the Barbizon school.
According to an excerpt from the Journal des deux mondes, Journal des grands voyages published in 1880, he is described as follows: "Paul Vernon is now a Master of the second generation. The first generation, which consists of Diaz, Corot, Rousseau, etc... In Paul Vernon, talent is subdivided into two distinct modes: when he is himself, full of melancholic reveries, as befits a bard of the woods, as he was at Bas-Breau, as he is in the forest of Chambord and at Belles-Croix, where the fanfares of the Pan Flute have muted tones and the old oaks plunge into the atmosphere. When he imitates Rousseau, he does so in such a way that the most astute expert cannot see a thing and cannot distinguish the Master from the pupil. I save for last a most sincere and distinguished realist painter."

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