Salimos de noche, 2024
Zeta Yeyati  

Painting : collage, mixed media · 95 x 68 x 1 cm 37.4 x 26.8 x 0.4 inch

€515 515 €
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Shipped from: Mexico

Delivery to: France , € 88

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

95 x 68 x 1 cm 37.4 x 26.8 x 0.4 inch Height x Width x Depth

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Credentials

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Description

A nocturnal gaze that transforms the everyday

Salimos de noche unfolds as an intimate and suggestive scene where the figure of a cat becomes an emblem of exploration and mystery. The artwork proposes a poetic reading of going out when everything seems silent and the world is redefined through twilight. The cat as an ancestral symbol of independence and sharp perception embodies here the idea of movement and quiet observation. This painting goes beyond the visual as it engages with an artistic philosophy that understands art as an ethical gesture where discarded elements find new purpose. In this piece the artist affirms that transforming forgotten materials into meaningful images is a simple and conscious act reminding us that creative intention can reshape how we engage with the world. Salimos de noche is created using mixed media acrylic stencil and collage on paper with dimensions of 68x95cm. The composition rests on simplicity and balance with visual harmony built from the hybrid nature of graphic and pictorial languages. Gesture prevails over literal representation and layered surfaces create visual depth. Diverse materials act as symbols generating effects that turn raw matter into poetic narrative. A playful tone with touches of humor and nostalgia opens the door to imagined worlds supported by graphic lines paint stains and drawn forms. The stylized character defined by only a few lines draws attention to eyes that become a distinctive signature. The palette Yellow Red Black and Grey reinforces the nocturnal and emotional atmosphere.

Roots that awaken images

Zeta Yeyati is an Argentine artist whose creative essence is shaped by transforming discarded elements into poetic art. Although widely known as a musician his connection to visual creation began in childhood through drawing and free experimentation. That early bond with imagery remains present in a practice driven by intuition and play as expressive forces.

Salimos de noche obra de Zeta Yeyati and the freedom of process

In Salimos de noche obra de Zeta Yeyati a free and exploratory creative process clearly defines his artistic identity. Self taught by choice the artist attended workshops with figures such as Pujía Ferrari and Aisemberg while remaining independent from any formal school. His work moves fluidly through ceramics collage stencil and assemblage incorporating metals woods and objects with a past. Each material retains its memory and becomes part of a personal language that celebrates imperfection and constant transformation.

A night that endures

Salimos de noche obra de Zeta Yeyati stands as a piece that invites the viewer to pause and observe with renewed awareness what often goes unnoticed. The nocturnal cat the choice of materials and the balanced composition converge in a work that transcends aesthetics to offer a sensitive experience. In this painting night is not the absence of light but a fertile space where imagination and creative consciousness naturally belong.

Zeta Yeyati, Salimos de noche

Zeta Yeyati

Argentina  • 1965

Presentation

Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.

A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.

In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.

Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.

Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.

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