Reina Roja, 2022
Zeta Yeyati  

Painting : collage, mixed media · 72 x 50 x 1 cm 28.3 x 19.7 x 0.4 inch

€309 309 €
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Shipped from: Mexico

Delivery to: France , € 53

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

72 x 50 x 1 cm 28.3 x 19.7 x 0.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2023 • Top Seller

Description

Reina Roja obra de Zeta Yeyati a portrait that rewrites power through reclaimed matter

Reina Roja obra de Zeta Yeyati confronts us with a female figure that transcends individuality to become a symbol. In this 50x72cm paper portrait, the artist builds an image where the woman does not simply take center stage but embodies it with silent strength. Reina Roja is more than a title, it is a visual invocation merging the mythical and the everyday. Created with mixed media including acrylic, stencil, and collage, the piece offers a composition that seems simple but is rich in symbolic layers. Formal synthesis, free use of space, and layered elements give depth and mystery to this queen with expressive eyes and stylized figure. The color palette of reds, blues, whites, and blacks creates a chromatic tension that resonates with playfulness, irony, and evocation. As in all of Zeta Yeyati's work, unconventional materials and assemblages are transformed into symbols filled with history and memory. Reina Roja rises from discarded materials to remind us that creating beauty is also an ethical act. Her gaze, her contours, her presence invite us to rethink royalty through the lens of humanity, possibility, and art as a tool for change.

Art as a childhood impulse and visual poetry

Zeta Yeyati, born in Burzaco in 1965, is an artist who seamlessly blends the sensory and the conceptual in his work. While many know him for his music, his true creative origin lies in the visual arts. Drawing and woodworking were his first explorations as a child and continue to shape his approach to creation. His work transforms what is forgotten into poetic potential, turning waste into visual possibility. Each artwork is a microstory composed of fragments that have waited patiently to speak again.

Material as narrative in Reina Roja obra de Zeta Yeyati

Reina Roja obra de Zeta Yeyati distills the essence of his artistic identity. Unbound by academic rules, Yeyati forged his path through self-discovery and experimentation. His creative process begins with collecting urban remnants and discarded objects that carry memory. Using collage, assemblage, and mixed techniques, he builds works that speak not only through visuals but through layers of meaning. In Reina Roja, this practice reaches maturity. The female figure becomes an icon, her expressive eyes the emotional axis of the piece. Textures, transparencies, and brushwork interweave to create a visual narrative without words. This queen, emerging from what was once invisible, proposes a new kind of power built from vulnerability and transformed presence.

The Queen who returns our gaze from the forgotten

Reina Roja obra de Zeta Yeyati does not seek to dominate through grandeur but through subtlety. It is a work that asks for quiet attention, for care toward the overlooked. The choice of materials, the economy of lines, and the symbolic weight of the female figure reveal a coherent and profoundly contemporary aesthetic. In an era of excess, this queen speaks softly but firmly. She reminds us that value is often hidden. With humor, irony, and vintage charm, the piece invites us into an imaginary world that feels both strange and familiar. With Reina Roja, Zeta Yeyati confirms his role as an artist who not only creates but proposes. One who transforms and, in doing so, transforms the way we see.

Portrait

Colors

Women

Sky blue

Red

Zeta Yeyati, Reina Roja

Zeta Yeyati

Argentina  • 1965

Presentation

Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.

A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.

In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.

Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.

Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.

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