The Cherry Blossom Alley, 2023
Abraham Aronovitch  

Painting : acrylic · 97 x 130 x 2 cm 38.2 x 51.2 x 0.8 inch · Ready to hang

CHF 6,713 6 713 CHF

One of the last works available by this artist

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Shipped from: France

Delivery to: Switzerland , CHF 128

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

97 x 130 x 2 cm 38.2 x 51.2 x 0.8 inch Height x Width x Depth

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Vetted seller since 2026

Description

"The moment when the cherry tree-lined avenue ceases to be a backdrop and becomes the architecture of our own mental landscape."

In this work from the series, Abraham Aronovitch relocates the bathroom mirror to an avenue of cherry blossoms, transforming the everyday space into a veritable theater of the mind. Here, the reflective surface disappears, giving way to an inner projection where the individual confronts social narratives and collective expectations.

The composition explores the construction of identity through an intimate division. The bluish silhouettes, the artist's signature, embody a duality of existence: the self that inhabits tangible reality versus the self that loses itself in idealized aspirations. Between the flowering trees, which act as a psychological screen, a silent tension emerges between personal desire and imposed norms.

This painting invites the viewer to explore the sensitive gap between the truth of being and this chimerical horizon, freezing a moment of poetic instability where the body seeks itself in the immensity of its own mental reflections.

Abraham Aronovitch, The Cherry Blossom Alley
France  • 1953

Presentation

Abraham Aronovitch: An Aesthetics of Vision and Reflection

Abraham Aronovitch's work falls within a dreamlike-existential figuration where figurative painting serves as a vehicle for a psychological exploration of intimacy. A former ophthalmic surgeon, the artist shifts his expertise from organic vision to an analysis of sensory perception. This transition from science to canvas imbues his self-taught approach with a rare acuity, making the act of looking the central subject of his creation.

The bathroom: a theatre of intimacy

Through her compositions, the everyday space of the bathroom is transformed into a symbolic space. The mirror is not an accessory, but a tool for spatial deconstruction that fragments bodies and redistributes perspectives. Between bluish silhouettes and fleeting reflections, he captures those moments of latency where the individual, facing his own face, oscillates between waking dream and questioning his being.

"Behind the Obvious": Beyond appearances

His iconic series, Behind the Obvious, explores the duality between social image and mental reality. Far from a traditional narrative, Abraham Aronovitch refuses to impose a fixed story. His canvases capture states of mind—doubts, expectations, silences—leaving the viewer complete freedom of interpretation. By suspending time and meaning, he invites an immersive experience where visual ambiguity becomes a gateway to contemporary identity.

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