Closer Than This, 2023
Painting : acrylic · 100 x 81 x 2 cm 39.4 x 31.9 x 0.8 inch · Ready to hang
One of the last works available by this artist
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Shipped from: France
Delivery to: Germany , € 108
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 81 x 2 cm 39.4 x 31.9 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
"The paradoxical moment when physical proximity underscores the unbridgeable distance between souls."
In this painting from the series, the couple's intimacy is explored through the prism of reflection. The mirror is no longer a mere object, but the stage for a confrontation where the other remains eternally out of reach. The composition freezes two bluish silhouettes in close proximity, revealing the invisible boundary that separates their bodies from true contact.
The use of color and textures underscores this impossibility of fusion. Although the faces seem on the verge of joining, the pictorial composition maintains a silent separation. Otherness is treated here as an enigma: the loved one is offered to the gaze, but their presence remains an elusive image, almost a mirage.
The work explores the fragility of romantic relationships and that tenuous boundary where desire confronts the fundamental inaccessibility of the other. It captures this poetic tension where extreme proximity reveals a shared solitude.
Presentation
Abraham Aronovitch is a French figurative painter, born in 1953 and based in Paris. In his series Behind the Obvious, a blue figure faces the bathroom mirror: a figuration he calls oneiro-existential. A former ophthalmic surgeon, he is a self-taught painter.
Abraham Aronovitch: An Aesthetics of Vision and Reflection
Abraham Aronovitch's work falls within a oneiro-existential figuration where figurative painting serves as a vehicle for a psychological exploration of intimacy. A former ophthalmic surgeon, the artist shifts his expertise from organic vision to an analysis of sensory perception. This transition from science to canvas imbues his self-taught approach with a rare acuity, making the act of looking the central subject of his creation.
The bathroom: a theatre of intimacy
Through her compositions, the everyday space of the bathroom is transformed into a symbolic space. The mirror is not an accessory, but a tool for spatial deconstruction that fragments bodies and redistributes perspectives. Between bluish silhouettes and fleeting reflections, he captures those moments of latency where the individual, facing his own face, oscillates between waking dream and questioning his being.
"Behind the Obvious": Beyond appearances
His iconic series, Behind the Obvious, explores the duality between social image and mental reality. Far from a traditional narrative, Abraham Aronovitch refuses to impose a fixed story. His canvases capture states of mind—doubts, expectations, silences—leaving the viewer complete freedom of interpretation. By suspending time and meaning, he invites an immersive experience where visual ambiguity becomes a gateway to contemporary identity.
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