Endless Impact D06, 2025
Minseok Kang  

Painting : acrylic · 89.5 x 154.9 x 3 cm 35.2 x 61 x 1.2 inch · Ready to hang

€6,800 6 800 €

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Shipping & delivery

Shipped from: South Korea

Delivery to: France , € 350

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

acrylic on canvas

Dimensions ( cminch )

89.5 x 154.9 x 3 cm 35.2 x 61 x 1.2 inch Height x Width x Depth

Artwork dimensions including frame

95 x 160 x 5 cm 37.4 x 63 x 2 inch

Sold by

Credentials

Vetted seller since 2026

Description

This painting captures a moment in which two mirrored car forms surge outward from a central vanishing point, each moving in an opposing direction. Though structurally similar, the vehicles do not share the same trajectory, suggesting a single identity split across divergent paths of time and choice.

The scraped and compressed layers of color form traces of speed and collision, transforming the car from a vehicle into a symbol of inner tension and selfhood. The composition operates as a site where acceleration and rupture occur simultaneously, placing the viewer within a suspended pressure of time rather than a linear narrative.

Here, the vanishing point is not a destination but a point of division. The simultaneous rush in opposite directions reflects an unstable self, caught between past and future, commitment and deviation. Rather than depicting arrival, the work questions speed itself—proposing that motion, not resolution, defines contemporary existence.

Abstract

Geometric

Geometric abstraction

Colors

Abstract expressionism

White

Red

Minseok Kang, Endless Impact D06

Minseok Kang

South Korea  • 1980

Presentation

MINSEOK is a contemporary painter based in Busan, South Korea. His recent work investigates time, speed, and inner tension through distorted car imagery, reflecting the psychological pressure and continuous acceleration of contemporary life.

His paintings depict forms in a state of collision, compression, and expansion, suggesting forces that accumulate beneath the surface rather than erupting in a single moment. Movement is treated not as direction, but as intensity—an ongoing condition shaped by pressure, desire, and emotional weight.

Through fragmented motion and layered spatial structures, MINSEOK explores the experience of temporal disruption. Past, present, and future overlap within the same pictorial field, creating a suspended sense of time where orientation becomes unstable and perception shifts.

By destabilizing compositional balance and reversing visual boundaries, his work turns inward to question fixed viewpoints, identities, and limits. These paintings resist resolution, functioning instead as traces of a sustained inner journey.

Across his practice, MINSEOK transforms movement into a psychological landscape, inviting viewers to reflect on their own sense of rhythm, direction, and self within an ever-accelerating world.

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