Endless force XXVIII, 2022
Painting : acrylic, embroidery · 117 x 117 x 3 cm 46.1 x 46.1 x 1.2 inch · Ready to hang
$6,275
6 275 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: South Korea
Delivery to: United States , $ 407
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
acrylic , embroidery on canvas
Dimensions ( cm • inch )
117 x 117 x 3 cm 46.1 x 46.1 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
120.5 x 120.5 x 5 cm 47.4 x 47.4 x 2 inch
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This work depicts two red cars bursting outward from a central point—one racing toward the left, the other accelerating downward. Their forms are deliberately distorted and fragmented, dissolving clear outlines into traces of force and direction. What unfolds on the canvas is not a single trajectory, but a collision of movements, as if speed itself has fractured at the moment of impact.
Acrylic paint is applied with aggressive gestures to generate raw energy, while embroidery floss is stitched directly into the surface to interrupt and dissect that flow. The stitched lines introduce artificial tension—controlled, linear, and resistant—cutting through the painterly momentum. Rather than decoration, embroidery functions as a structural intervention, breaking time and speed into segments and exposing the friction between impulse and restraint.
The cars are not representations of external objects but projections of the artist's own identity. They embody inner pressure, competition, anxiety, and the compulsive drive to move forward. Although the two cars appear almost mirrored, they do not share the same direction, suggesting a split within a single self—desire and fear, acceleration and hesitation—coexisting and diverging at once.
This work does not celebrate speed; it examines its consequences. Through the overlap of painting and stitching, fluid gesture and calculated incision, the surface becomes a record of identity under pressure. It captures how artificial velocity fragments perception and how, within that fragmentation, a contemporary self is continuously formed, strained, and propelled forward.
Presentation
MINSEOK is a contemporary painter based in Busan, South Korea. His recent work investigates time, speed, and inner tension through distorted car imagery, reflecting the psychological pressure and continuous acceleration of contemporary life.
His paintings depict forms in a state of collision, compression, and expansion, suggesting forces that accumulate beneath the surface rather than erupting in a single moment. Movement is treated not as direction, but as intensity—an ongoing condition shaped by pressure, desire, and emotional weight.
Through fragmented motion and layered spatial structures, MINSEOK explores the experience of temporal disruption. Past, present, and future overlap within the same pictorial field, creating a suspended sense of time where orientation becomes unstable and perception shifts.
By destabilizing compositional balance and reversing visual boundaries, his work turns inward to question fixed viewpoints, identities, and limits. These paintings resist resolution, functioning instead as traces of a sustained inner journey.
Across his practice, MINSEOK transforms movement into a psychological landscape, inviting viewers to reflect on their own sense of rhythm, direction, and self within an ever-accelerating world.
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