Technique mixte sur carton signée et datée, 1999
Bill Parker  

Painting : mixed media · 40 x 48 cm 15.7 x 18.9 inch · Ready to hang

$985 985 $US

One of the last works available by this artist

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Shipped from: France

Delivery to: United States , $ 117

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40 x 48 cm 15.7 x 18.9 inch Height x Width x Depth

Artwork dimensions including frame

59 x 67.5 cm 23.2 x 26.6 inch

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Description
Abstract Composition Beautifully framed in brushed black aluminum, featuring anti-reflective and anti-UV gallery glass. Private collection.

Abstract

Abstract expressionism

Yellow

Bill Parker, Technique mixte sur carton signée et datée

Bill Parker

United States  • 1922  - 2009

Presentation

William Coda Parker Jr. (1922–2009) | American Master of Post-Cubist Abstraction

William Coda Parker Jr., born March 2, 1922, in Josephine, Texas, was a major American abstract painter. He studied at the San Francisco School of Fine Arts under Fred Hocks, and later in New York with Hans Hofmann. In 1951, he moved to Paris on a U.S. government grant to train with Fernand Léger.

In 1954, he became the first American invited to exhibit at the Galerie Kaganovitch in Paris. He participated in the Salons de l'École de Paris (1953–1956) and showcased his work in Amsterdam, Moscow, New York, and London. His works are held in prestigious collections, including the Musée d'Art Moderne de Paris, the Stedelijk Museum in Amsterdam, and the Whitney Museum in New York.

Influenced by Cézanne, Léger, Braque, and Picasso, Parker developed a vibrant post-cubist abstract style characterized by geometric rhythms and warm palettes. His work received the Bührle Prize in 1953 and is featured in the Bénézit Dictionary. Parker’s legacy remains an emblematic link between 20th-century American and European abstraction.

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