Sans titre, Circa 2020
Painting : ink · 43 x 32 x 0.1 cm 16.9 x 12.6 x 0 inch
€1,200
1 200 €
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 70
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
43 x 32 x 0.1 cm 16.9 x 12.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018
Description
This captivating work features an abstract black silhouette on a raw canvas background. The use of black creates a striking contrast with the natural, rugged texture of the material. The figure, with its angular contours and simplified forms, appears to be seated in an enigmatic way, evoking a posture that is both human and sculptural. The sharp lines and absence of superfluous details accentuate the primitive and mystical character of the composition. The sense of movement suggested by the silhouette's dynamic position gives the work a narrative depth. The originality of this piece lies in the fusion of modern techniques with elements of tribal art, producing a unique and timeless artistic expression. This juxtaposition intrigues the viewer, inviting them to explore the dialogue between the archaic and the contemporary.
Presentation
Categorizing Logovarda is complex but above all useless. Art brut? Singular art? Without doubt, but very reductive. Expressionist. Yes, without doubt, but beyond that. In Logovarda, what immediately strikes one is this visceral desire to seek, understand and stage this scriptural perception of our human nature. This totally labyrinthine work is the very meaning of Desire. Desire to cross the thicknesses of our gaze, of our capacities to cross the River. We must become a ferryman with him, follow Ariadne's thread, even if it means getting lost.
Logovarda's work impresses, in the physical, almost anatomical sense of the term, both by the strength of the "writing" and by his offbeat and humorous way of staging these disjointed, stretched characters, real puppets that life plays out. Yes, the artist's often painful labyrinths plunge us into the power of the myth, immerse us in it. There is a form of powerful expressionism that draws on the very ancient narratives of Man and carries us away.
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