Sans titre, Circa 2020
Painting : acrylic · 33 x 24 x 0.1 cm 13 x 9.4 x 0 inch
$1,400
1 400 $US
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Shipped from: France
Delivery to: United States , $ 91
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
33 x 24 x 0.1 cm 13 x 9.4 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018
Description
This work is distinguished by its bold use of textures and contrasts. Two white anthropomorphic forms stand against a dark background, evoking an intriguing duality. The thick impasto of the paint accentuates the texture, inviting tactile and visual exploration. Vertical lines at the center separate the two figures while suggesting a connection, a recurring theme in contemporary art focused on the relationship between duality and unity. Discreet red markings add an emotional dimension, introducing a subtle yet effective chromatic tension. The opacity of the white, juxtaposed with the depth of the black, creates a striking visual balance, symbolizing harmony in contrast. The eyes evoke silent introspection, capturing the essence of contemplation. In short, this work intersects with primitivism and abstraction, offering a modern interpretation of human relationships.
Presentation
Categorizing Logovarda is complex but above all useless. Art brut? Singular art? Without doubt, but very reductive. Expressionist. Yes, without doubt, but beyond that. In Logovarda, what immediately strikes one is this visceral desire to seek, understand and stage this scriptural perception of our human nature. This totally labyrinthine work is the very meaning of Desire. Desire to cross the thicknesses of our gaze, of our capacities to cross the River. We must become a ferryman with him, follow Ariadne's thread, even if it means getting lost.
Logovarda's work impresses, in the physical, almost anatomical sense of the term, both by the strength of the "writing" and by his offbeat and humorous way of staging these disjointed, stretched characters, real puppets that life plays out. Yes, the artist's often painful labyrinths plunge us into the power of the myth, immerse us in it. There is a form of powerful expressionism that draws on the very ancient narratives of Man and carries us away.
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