Sans titre, Circa 2020
Painting : mixed media · 27 x 32 x 0.1 cm 10.6 x 12.6 x 0 inch
€1,200
1 200 €
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 55
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
mixed media on paper
Dimensions ( cm • inch )
27 x 32 x 0.1 cm 10.6 x 12.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018
Description
This captivating work is distinguished by the intensity of its colors and the energy of its composition. Bold black strokes form abstract figures, evoking human silhouettes in dynamic poses. The introduction of vibrant orange and cobalt blue adds remarkable visual depth, creating a striking contrast that immediately captures the eye. The stylized white eyes on the figures lend a touch of intrigue, while the rounded, fluid forms give the whole a harmonious rhythm. The artist skillfully plays with the layering of colors and shapes to create an effect of movement and interaction between the elements. This work is a striking example of modern expressionism, where the artist explores the interplay between space, form, and color, while prompting the viewer to reflect on the complexity of human emotions.
Presentation
Categorizing Logovarda is complex but above all useless. Art brut? Singular art? Without doubt, but very reductive. Expressionist. Yes, without doubt, but beyond that. In Logovarda, what immediately strikes one is this visceral desire to seek, understand and stage this scriptural perception of our human nature. This totally labyrinthine work is the very meaning of Desire. Desire to cross the thicknesses of our gaze, of our capacities to cross the River. We must become a ferryman with him, follow Ariadne's thread, even if it means getting lost.
Logovarda's work impresses, in the physical, almost anatomical sense of the term, both by the strength of the "writing" and by his offbeat and humorous way of staging these disjointed, stretched characters, real puppets that life plays out. Yes, the artist's often painful labyrinths plunge us into the power of the myth, immerse us in it. There is a form of powerful expressionism that draws on the very ancient narratives of Man and carries us away.
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