Woman Sitting on Man with Beaded Necklace, 2026
Gerda Van Damme  

Painting : oil · 130 x 90 x 2.5 cm 51.2 x 35.4 x 1 inch

€3,600 3 600 €
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Shipped from: Belgium

Delivery to: Spain , € 150

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

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Dimensions ( cm • inch )

130 x 90 x 2.5 cm 51.2 x 35.4 x 1 inch Height x Width x Depth

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Description

This oil painting portrays a couple in a moment of tender connection, blending vintage realism with a subtle, intimate atmosphere. Their contrasting expressions and the single vibrant necklace introduce a playful note, while the warm, nostalgic energy of the scene evokes shared laughter and quiet emotional bonds. Painted in monochrome Payne's Grey with a touch of the artist's signature red, the figures radiate sincerity and timeless charm.

The work belongs to The Way We Were, a series that reflects on memory, affection, and the small emotional gestures that shape our relationships. Rendered with meticulous realism, the painting brings depth, warmth, and character to any interior, harmonizing beautifully with a wide range of styles.

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Gerda Van Damme, Woman Sitting on Man with Beaded Necklace
Belgium  • 1964

Presentation

Gerda Van Damme is a Belgian visual artist working across painting, installation, video, and digital media, whose practice explores the layered territories of memory, perception, and the unseen. Her work investigates how images carry traces of lived experience—how they fracture, persist, and reassemble across time. Through subtle distortions, archival references, and a precise yet poetic visual language, Van Damme creates works that oscillate between observation and reconstruction, inviting viewers into a space where the familiar becomes quietly estranged.

Van Damme received her Painting Certificate with Great Distinction from the Académie Alphonse Darville in Charleroi (Belgium). She further refined her technical and conceptual approach through advanced workshops with a.o. Antonio López García, Andrés García Ibáñez, and Toña Gómez, deepening her engagement with observational realism, spatial ambiguity, and the psychological resonance of imagery.

Her work has been exhibited internationally in Italy, Spain, Germany, the Netherlands, Belgium, and the United States, including presentations at the Arsenale in Venice (Arte Laguna Prize, twice), HB55 Kunstfabrik in Berlin, the Undo Arts Center in Brooklyn, MECA Mediterráneo Centro Artístico in Almería,the Palacio de Viana in Cordoba, WG Gallery in Dordrecht, and multiple Belgian cultural institutions. She has been selected as a finalist for major juried competitions such as the Arte Laguna Prize, the Biennale de l'Art Pierre Paulus, the Prix des Arts Plastiques et Visuels du Waux‑hall, the MiniARTures International Contest, and the Prix de la Peinture de Woluwe Saint‑Pierre. In 2025, she received the Audience Prize and Jury Mention at the Prix des Arts Plastiques et Visuels du Waux‑hall.

Her practice has been supported by grants from the Fédération Wallonie‑Bruxelles, the Province of Hainaut, the City of Charleroi, and the Eden Cultural Center, notably for her work with the artists' collective and for the curation of contemporary art projects such as and .

Van Damme works within shifting landscapes—geographical, emotional, and mnemonic. This duality informs her sensitivity to the quiet intensities of the everyday: the overlooked, the peripheral, the nearly‑forgotten. 

Her works are held in private collections in Belgium, Spain, Germany, France, Dubai and the United States.

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