Doll's Paradise 1, 2024
Painting : oil, acrylic, Textiles · 140 x 120 x 3 cm 55.1 x 47.2 x 1.2 inch
£5,302
5 302 £GB
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Shipped from: Georgia
Delivery to: United Kingdom , £ 444
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
140 x 120 x 3 cm 55.1 x 47.2 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Acrylic, oil & pigment on soviet-erra fabric biazi
A haunting silhouette emerges from a pale, ethereal void. The figure feels ghostly. It floats between presence and absence. This artwork blends figurative elements with abstract dissolution. Oil and acrylic pigments bleed into the surface. They create a sense of fluid decay.
The choice of support is fundamental. The artist uses reclaimed Soviet-era cotton fabric. These textiles once covered the ceilings of old homes. They carry the invisible weight of domestic history. This material archive transforms the painting into a vessel for memory.
The composition explores the concept of post-socialist radiation. Layering and erasure suggest a fading recollection. Blue accents pierce through the grey washes like distant sparks of light. The figure dissolves into the background. It mirrors the way personal identity merges with collective trauma. Every brushstroke reflects a tension between visibility and disappearance. The result is a poetic meditation on time. The surface retains the tactile traces of a vanished era. This intersection of architecture and painting creates a profound spatial depth. The gaze of the figure remains fixed and enigmatic.
Presentation
Born in 1995 in Zugdidi, Georgia, Gela Mikava is a Georgian contemporary artist who lives and works in Tbilisi. Trained as an architect, he received his BA in Architecture from Georgian Technical University in 2018 and completed his MA in 2021. His artistic practice developed at the intersection of painting, material research, and installation, exploring the relationship between personal and collective memory, material history, and contemporary experience.
A distinctive element of Mikava's practice is his use of authentic Soviet-era biazi cotton fabric, reclaimed from old domestic interiors. Previously used as ceiling covering in Soviet-period homes, the fabric is carefully removed, cleaned, and transformed into a surface for painting. For the artist, this material functions as a form of archive, carrying traces of domestic life, time, use, and disappearance before becoming part of the artwork.
Mikava's practice is closely connected to his concept of “Post-Socialist Radiation," through which he examines the subtle psychological and aesthetic traces of Soviet ideology that continue to exist within contemporary life. Working across painting, textile, collage, and installation, he employs processes of layering, absorption, washing, peeling, obscuring, and erasure to explore how memory can remain embedded within materials and surfaces.
His projects include *The Bijouterie*, *Post-Alienation*, *Infanta Destruction*, *Predators & Herbivores*, *Artificial Flowers*, and *What Remains of Gesture*. His work has been presented internationally in Europe and the United States, including a solo exhibition *It is Heard — The Silence, I See — Nothing* in Atlanta in 2024. His work has also been presented at art fairs and exhibitions in London and is held in private and institutional collections, including the Lester Marks Collection.
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