Sakura, 2025
Painting : acrylic · 91 x 91 x 3 cm 35.8 x 35.8 x 1.2 inch
Shipping & delivery
Shipped from: Canada
Delivery to: United States , $ 139
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
91 x 91 x 3 cm 35.8 x 35.8 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024
Description
This artwork presents a masterful blend of traditional and contemporary elements, fusing geometric patterns with cultural motifs. The top section features a striking hexagonal pattern interwoven with vibrant, oversized floral designs in bold oranges, pinks, and purples, evoking a sense of dynamism and depth. Below, a subtler panel with delicate, muted floral patterns offers a measured contrast, grounding the composition. On the right, a meticulously detailed pagoda balances the vivid abstraction with architectural finesse, adding a historical dimension. The juxtaposition of traditional Japanese iconography with modern artistic techniques creates a compelling narrative, where past and present exist in harmonious dialogue. The balanced use of color and form demonstrates sophisticated layering and spatial awareness, inviting viewers to explore the nuanced intersections within this innovative composition.
Presentation
Mary Lottridge is a graduate of the University of British Columbia and the Emily Carr College of Art and Design and she has had an ongoing studio practice for over thirty years.
Mary works in acrylics on wood cradles and the paintings often possess textured and collaged surfaces. Her paintings frequently revolve around a central foreground image, usually rendered in a crisp decisive manner with a high degree of detail and sharp focus, with backgrounds possessing a more elusive quality, layered and washed-out and containing partially covered shapes and lines, as well as pattern, colour and text. The work has a strongly contemporary feel and is technically proficient and visually striking.
“The bedrock of my work is an urgent engagement with materials and image and the vexing uncertainty and simultaneously thrilling act of painting. Milton Glaser says 'Making things is one of the truly remedial aspects of being human'. He also says that finding things is not the same as making things. I want to make paintings."
Mary's work has been exhibited widely in Ontario and British Columbia and can be found in many corporate and personal collections. She currently lives and works on Pender Island, British Columbia.
Reviews from our customers
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