Ferry, 2024
Marza Mihai  

Painting : acrylic · 100 x 60 x 2.5 cm 39.4 x 23.6 x 1 inch · Ready to hang

€1,400 1 400 €

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Shipped from: Romania

Delivery to: France , € 124

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

100 x 60 x 2.5 cm 39.4 x 23.6 x 1 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2026

Description

places its subject in familiar territory: the cul-de-sac trailer park of , that endlessly recognizable suburban dead-end where childhood seemed both infinite and inescapable. Against this backdrop stands a magma creature — molten, ancient, the kind of being that exists outside of human time entirely — occupying the scene with the matter-of-fact presence of someone who has always been here. The title carries weight beyond the obvious. A ferry is a vessel of transit, a thing that moves you from one shore to another — and there is something in this image of fire and familiar fences that functions exactly that way. The monster doesn't threaten. It waits. The trailers stand as they always have. The gap between them — between the erupting, elemental, and the parked, suburban, permanently stuck — is the painting's true subject. Executed in acrylic on a 100 x 60 cm canvas, is the series' most quietly ominous work: not chaos, not comedy, but the particular stillness of a threshold nobody is quite ready to cross.

Pop Art

Colors

Cartoons

Abandoned Buildings

Trailer

Sky blue

Red

Marza Mihai, Ferry

Marza Mihai

Romania  • 1985

Presentation

Mihai Mârza (b. 1985) is a Romanian contemporary painter based in Alba Iulia, working in large-format acrylic and mixed-media canvases that transform pop culture icons into layered meditations on memory, identity, and collective emotion.

His practice operates through controlled repetition and visual density: a single iconic figure — from anime characters to vintage cartoons — multiplied, distorted, and colliding until it sheds its original meaning and takes on new psychological weight. The result is work that sits at the intersection of Pop Art and emotional landscape, using the immediately recognizable language of mass media to explore what stays hidden beneath familiarity.

Working across painting and sculpture, Mârza maintains a consistent dialogue between image, surface, and cultural memory — inviting viewers to oscillate between nostalgia and disorientation, humor and unease.

Reviews from our customers

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