Moss, rust (Mousse, rouille): Original contemporary oil landscape featuring rustic textures and natural decay, 2026
Natalia Emelianova  

Painting : oil · 46 x 38 x 2 cm 18.1 x 15 x 0.8 inch · Ready to hang

€1,116 1 116 €

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Shipped from: France

Delivery to: Spain , € 77

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

46 x 38 x 2 cm 18.1 x 15 x 0.8 inch Height x Width x Depth

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Description

Moss, rust (Mousse, rouille): Fine art oil on linen canvas landscape.

Acquire this evocative piece, "Moss, rust" (46x38 cm / 18.1x15 in), to celebrate the quiet transformation of our world. As part of the "Patine du temps" series, this oil on linen canvas work examines the traces time leaves on our environment. It is a thoughtful exploration of how plants and elements like moss and lichen reclaim space, turning signs of age into enduring beauty. This artwork fits seamlessly into modern homes that favor natural textures and a calm, reflective atmosphere. Perfect as a gift for those who value authenticity, its rich color palette bridges the gap between raw natural tones and subtle botanical hues. The artist invites you to embrace the changes brought by time, viewing them as a harmonious part of our living space rather than imperfections to be hidden.

Natalia Emelianova, Moss, rust (Mousse, rouille): Original contemporary oil landscape featuring rustic textures and natural decay
France  • 1983

Presentation

Natalia is a contemporary artist working primarily with oil painting. She was born in Moscow in 1983 and has been living and working in Sceaux, France, since 2022.

As Natalia is raising a daughter, her artistic practice often turns toward intimate subjects: interiors, still lifes, and simple everyday objects.

She enjoys observing daily life, architecture, nature, and the changing seasons, paying close attention to subtle transformations in the world around her. She is particularly interested in how an interior point of view alters the perception of exterior space.

Natalia chooses oil paint as her main medium for its plasticity, richness, wide color range, and the possibility of working in layers, allowing her works to gain texture and depth.

Her most recent series, “Les garde-corps", can be literally translated as “to protect the body." The series was inspired by Natalia's love for Parisian architecture and her fascination with buildings and their railings. In these works, the viewpoint is always situated in a safe interior space, looking out onto the street. Natalia reflects on the dual nature of French garde-corps: made of cold, rigid metal, they are nevertheless designed to protect from falling, while also being remarkably beautiful, fluid, and ornamental. The series explores how a purely utilitarian object can make the surrounding world slightly more beautiful.

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