Safari, 2022
Painting : acrylic · 76 x 17 x 0.3 cm 29.9 x 6.7 x 0.1 inch
€350
350 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 32
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
76 x 17 x 0.3 cm 29.9 x 6.7 x 0.1 inch Height x Width x Depth
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Art gallery
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Vetted seller since 2016 • Top Seller
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This seller offers discount when you purchase multiple artworks.
Description
In this mobile stained glass, Patopalomo pursues a singular research where color and sign intertwine in a constant dialogue with light. Made of plexiglass, the work illustrates one of the major characteristics of his work: the superposition of planes. First a colored background, laid down in successive flat areas of clear tones, then the addition of graphic elements, stylized figures and free forms, which anchor themselves in the pictorial space.
The transparency of the support opens up an additional dimension: facing the light, the colors transform, gaining intensity and vibration, while the untreated areas let the light pass through and the black lines cast shadows that extend the artist's gesture beyond the surface. The painting thus becomes a moving work, activated by the exhibition conditions. Patopalomo reaffirms here his interest in the experimentation of supports and in the interaction between matter, sign, and light.
Presentation
Born October 22, 1946 in Santiago, Chile, this pigeon has lived for twenty years in the south of France. Party of Santiago following the military coup of 1973, he first lived in several Latin countries US before coming to nest on the Provençal lands. As a graphic designer, he worked in the Argentine, Mexican and Chilean media who fought for freedom of expression and the end of dictatorships; today as an artist, he kept the footprints of its origins and paints, sculpts and makes installations with materials picked up here and there.
Through a free illustration, color, material and profusion, he deposits on various substrates (wood, canvas, cardboard, plexiglass, varied recycling equipment ) images that he caught on the fly, during his travel and contact with disabilities and other artists. Gleaner inveterate, it also fills with humor and poetry devious objects or blank media while pointing his brushes and pencils on the contradictions of our globalized world.
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