Cloud, 2026
Painting : oil · 46 x 33 x 2 cm 18.1 x 13 x 0.8 inch · Ready to hang
$372
372 $US
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Shipped from: France
Delivery to: United States , $ 63
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
46 x 33 x 2 cm 18.1 x 13 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
A silhouette emerges from a dark and deep background. The line is free. The material accumulates in generous layers. Red dominates the face, while a bright yellow draws swirling curves.
The style resembles raw art. The composition plays on the contrast between the darkness of the support and the luminosity of the pigments. The gesture is instinctive. It fragments the forms to better suggest a human presence.
The artist uses oil to create rich and tactile textures. The lines intertwine in a circular movement that structures the bottom of the composition. The balance rests on the opposition of primary colors.
This painting from 2026 explores the boundary between portrait and abstraction. The figure seems to float in an undefined space. The gaze is sketched by a simple bright point. The whole ends with a discreet signature in the lower right corner.
Presentation
Born in 1967 in Grenoble. Frédéric Batard discovered painting alongside his grandfather, a watercolourist. From an early age, he assiduously frequented museums and libraries and was passionate about abstract art and design.
At the age of 19, he took the plunge and made his first paintings. For five years, he created tirelessly, then stopped to devote himself to his job as a physiotherapist and his family.
At the same time, he is expanding his collection of contemporary works and advertising posters.
In 2010, at the instigation of his new partner, he got caught up in the game and rediscovered the pleasure of painting. A mad desire to make up for lost time motivates him. He exhibited his first paintings in his Cabinet. A patient offers him to exhibit at the 'Auberge des Peintres' in Optevoz in the footsteps of Corot and Daubigny, he accepts. The adventure is launched. A journalist nicknamed him "the color massager".
Since then, he has been regularly selected in salons and exhibited both in unexpected public places and in galleries in France. He is a member of the Lyon Academy of Painting.
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