Fin de regne, Circa 2020
Denis Rifflard  

Painting : acrylic · 81 x 65 x 2.5 cm 31.9 x 25.6 x 1 inch · Ready to hang

€950 950 €

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Shipped from: France

Delivery to: France , € 67

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

81 x 65 x 2.5 cm 31.9 x 25.6 x 1 inch Height x Width x Depth

Artwork dimensions including frame

86 x 70 x 3 cm 33.9 x 27.6 x 1.2 inch

Sold by

Independent artist

Credentials

Vetted seller since 2025

Description

The acrylic spreads here with total freedom. The gesture is fast. The stroke overlaps. Masses of deep blue and emerald green dominate the upper part. They oppose a burnt orange background. The contrast is immediate.
The composition plays on effects of transparency. The material alternates between flat areas and more textured zones. Touches of white bring light. They structure the space by creating visual breaks.
The approach is purely abstract. It refuses any imposed concept to favor the pleasure of the eye. The brush and the knife have worked together. They shape organic and uncertain forms.
This painting from 2020 explores the tension between warm and cool colors. The result is a dynamic composition. The balance is found in the apparent chaos of the pigments. The eye circulates between the dense areas and the lighter spaces. Each shade interweaves in a play of varied textures.

Abstract

Colors

orange

Sky blue

Denis Rifflard, Fin de regne
France  • 1948

Presentation

The painter Picard has always had a strong taste for drawing and painting, first in watercolor and now in acrylic.

A career in high-end textiles was combined for several years with a first specific practice very appreciated at that time, namely press and humor drawing as a "freelancer" for various Parisian and regional newspapers.

He then used watercolors to sometimes enhance his drawings or for full-fledged creations.

But it was above all the acrylic on canvas technique that ultimately suited him best and from which he never turned away, adapting it to his personal aspirations. Thus applied with a brush or a knife depending on the desired effects, the palette used was rather limited and consisted essentially of semi-transparent or transparent colors "whose implementation was more restrictive but which suited me better in their final rendering" confides the painter.

Local and then regional exhibitions gradually demonstrated a certain interest among visitors in his work. This was followed by two highly commendable selections for the Salon des Artistes Français at the Grand Palais and that of a major multinational company seeking his artistic needs.

It was in Le Havre that a first gallery hosted his paintings for several years before a second gallery then approached him to exhibit successfully in Saint Rémy de Provence.

The logical next step is now his presence on Artsper where he has the pleasure of presenting his recent acrylic paintings, always free of any constraint of messages or concepts other than that of the essential pleasure of seeing them catch your eye.

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