M14, 2026
Painting : oil · 100 x 73 x 2 cm 39.4 x 28.7 x 0.8 inch · Ready to hang
$1,704
1 704 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 286
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 73 x 2 cm 39.4 x 28.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This oil painting explores the human figure with a raw and instinctive approach.
Two faces are juxtaposed under the protection of a stylized umbrella.
The brushwork is sharp. The forms distort to make way for a pure expression.
A dialogue is established between ocher, yellow, and deep blue tones.
The red background brings immediate intensity to the composition.
The artist favors the material and the spontaneous gesture.
The rendering recalls the codes of raw art through its visual frankness.
The faces, almost masks, seem to emerge from an organized chaos.
A play of contrasts is observed between dark areas and flashes of light.
The umbrella, a central element, structures the space and creates a symbolic shelter.
This 2026 creation is distinguished by its graphic treatment and its assertive black outlines.
Presentation
Born in 1967 in Grenoble. Frédéric Batard discovered painting alongside his grandfather, a watercolourist. From an early age, he assiduously frequented museums and libraries and was passionate about abstract art and design.
At the age of 19, he took the plunge and made his first paintings. For five years, he created tirelessly, then stopped to devote himself to his job as a physiotherapist and his family.
At the same time, he is expanding his collection of contemporary works and advertising posters.
In 2010, at the instigation of his new partner, he got caught up in the game and rediscovered the pleasure of painting. A mad desire to make up for lost time motivates him. He exhibited his first paintings in his Cabinet. A patient offers him to exhibit at the 'Auberge des Peintres' in Optevoz in the footsteps of Corot and Daubigny, he accepts. The adventure is launched. A journalist nicknamed him "the color massager".
Since then, he has been regularly selected in salons and exhibited both in unexpected public places and in galleries in France. He is a member of the Lyon Academy of Painting.
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