Untitled, 1961
Painting : oil · 102 x 33 x 3 cm 40.2 x 13 x 1.2 inch · Ready to hang
Shipping & delivery
Shipped from: Spain
Delivery to: Germany , € 180
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
102 x 33 x 3 cm 40.2 x 13 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
107 x 38 x 4 cm 42.1 x 15 x 1.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
For the young Ruano, Morocco was a place of profound aesthetic revelation. While working and teaching in Tetouan, he actively absorbed the visual culture of the Maghreb: the sun-scorched landscape, the ancient architecture of the medina, the raw textures of plaster, the warmth of wood grain, and the archaic depth of local traditions.
It was during this Tetouan period that Dámaso Ruano definitively moved away from traditional academic figurative art, transitioning toward ethno-expressionism and matter-based abstraction (). This painting on wood serves as a prime testament to that critical evolution.
In this work, Ruano skillfully balances on the boundary between several artistic movements:
Cubism and the African Mask: The central character's face is deconstructed into rigorous planes and facets. Ruano references the early Cubism of Picasso and Derain, who themselves drew inspiration from African plastic arts. For Ruano, however, this is no mere stylistic exercise—it is a deep contextual immersion. The face evokes an ancient totem or an African mask, carrying a sense of timeless dignity.
The Materiality of Wood and : Working on a wooden support is a defining characteristic of Ruano's artistic practice. Wood is not merely a substrate for him, but a full co-creator. The dry, cracked texture of the terracotta background, showing through layers of paint, echoes the weather-worn walls of Tetouan and the sun-baked African earth.
Verticality and Monumental Stasis: The elongated proportions, characteristic of early 20th-century Expressionism and avant-garde art, lend the figure the presence of an architectural element—a column or a monolith.
The color palette of Ruano's Moroccan period is built upon sharp emotional contrast:
The Fiery Background: Dense, layered tones of terracotta, ochre, and burnt earth symbolize the heat, outward expression, and energy of the African continent.
The Restrained Center: Ash-grey, muted pale, and light tones in the garments and headwrap create a zone of silence, spiritual concentration, and composure.
The Tetouan period proved foundational for Dámaso Ruano. Upon relocating to Málaga in 1969, he brought with him this unique visual repertoire—a mastery of collage, torn paper, wood, geometry, and the “memory of materials."
Ruano's Moroccan works represent a rare and immensely valuable chapter of his oeuvre. In them, the avant-garde structure still retains the warmth of a human (or totemic) presence, while ethno-expressionism manifests not as stylistic imitation, but as a genuine living of North African culture and spirit.
Presentation
Born in Tetouan, Morocco, in 1938. He studied in Madrid until 1958, returning to Morocco where he remained until 1969.
From 1960 to 1965, he taught drawing classes, hired by the Government of Morocco, and from that year to 1968, resides in Kenitra as Director of the Spanish Cultural Mission in that city.
It has belonged to the so-called "School of Tetouan", composed of Spanish and Moroccan artists, with whom he collaborated in collective exhibitions and various artistic manifestations.
He has made numerous murals, works of architecture, design and urbanism. It has works in official and private collections in Spain, Morocco, France, USA, Sweden, Denmark, Switzerland, Ireland and Germany.
It is represented in the Museum of Spanish Abstract Art of Cuenca, Provincial Museum of BB.AA. of Malaga, Museum of Africa in Madrid, Museum of Contemporary Spanish Engraving, Pablo Ruiz Picasso Foundation, etc.
Medal of the City of Málaga 2014 and Adoptive Son of the same.
Reviews from our customers
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