Untitled, 2025
Painting : acrylic, mixed media · 142 x 73 x 2 cm 55.9 x 28.7 x 0.8 inch
€2,000
2 000 €
Delivered in time for Christmas
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Shipped from: Spain
Delivery to: Germany , € 150
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , mixed media on wood
Dimensions ( cm • inch )
142 x 73 x 2 cm 55.9 x 28.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
In front of us is an explosive, brutal, yet delightfully ironic manifesto of the Caotic Art style. At the center of the canvas stands a massive character seated on a stool-throne right amidst the urban chaos. Featuring a feathered head, a target-like cross-eye, and an open beak-like jaw, the figure spews forth the words and . The canvas is enclosed by a graphic checkered frame, while the provocative words are emblazoned in large letters at the base of the figure.
Decoding the Concept:
The Character on the Throne — A grotesque king of the urban domain, fusing childlike cartoon innocence with rebellious force.
The Inscription — An ironic homage to street culture and rebellion against standard norms; the character embraces the title of "public enemy" to safeguard their individuality.
The Cross-Eye ($X$) and Toothy Grin — A metaphor for sensory overload, representing the gaze of a person seeing right through the underbelly of modern information noise.
The Checkered Frame — An attempt to encapsulate the wild, boiling stream of street energy within a clean, graphic form.
Presentation
Alberto Urbano Moreno was born in 1974 in the province of Córdoba. He grew up in the small historical town of Monturque, known for its deep archaeological roots, including Roman and Arab monuments.
His first contact with painting occurred at the age of six, a period that coincided with a series of severe personal and family tragedies. Art became more than just a hobby for the child; it served as a psychological defense mechanism and an emotional refuge. As a self-taught artist (), he developed his visual language outside of academic frameworks, relying on childhood memories, intuition, and personal symbolism.
Art critics and historians frequently cite Alberto Urbano as a prominent representative of contemporary outsider art and , comparing the primitivist power and expression of his works to the legacy of Jean-Michel Basquiat.
The Concept of "Caotic Art": Under this name, the artist brings together his main exhibitions and manifestos. His works synthesize internal emotional chaos, the contradictions of human nature, and a reaction to the modern world.
Artistic Influences: His style weaves together elements of traditional , contemporary street art (), and the philosophy of the movement—a "flow" that magnetically connects the viewer and the artist through an impulse.
Materials: Urbano works in mixed and experimental media (). On canvas and heavy cardboard, he combines acrylics, spray paint, textured layering, and graphic lines.
Subjects and Symbols: His canvases frequently feature grotesque characters, masks, and popular cultural archetypes (such as Batman, Meninas, as well as mythological and animal motifs), reinterpreted through the lens of naive art and a vivid, high-contrast chromatic palette.
The artist actively exhibits his work across Spain. Key institutional venues in his career include:
Real Círculo de la Amistad in Córdoba;
The Russian Centre for Science and Culture (Casa de la Cultura Rusa) in Madrid;
As well as a number of private galleries and contemporary art platforms, including gallery exhibitions throughout Andalusia.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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