Bronze Sculpture for Sale
David Bowie, Circa 2024
Painting : digital print · 95 x 100 x 0.2 cm 37.4 x 39.4 x 0.1 inch
€700
700 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: France , € 49
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
95 x 100 x 0.2 cm 37.4 x 39.4 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Description
A face occupies the center of the canvas, frontal, the gaze fixed on that of the spectator — a blue eye, the other darker, this heterochromia having become legendary. Across the face, the blue and red lighting bordered by white: the visual signature of Aladdin Sane, immediately recognizable. The index finger placed on the lips imposes silence, an ambiguous gesture that suspends the portrait between confidence and warning.
The pictorial treatment bursts the face into clear chromatic zones — magenta, green, cyan, yellow, orange — as if the skin itself were stained glass. Around it, the background superimposes layers: the red and white stripes of a flag, a stencil of dollar bills that invades the entire surface, the logo repeated in the bottom left, a clock with gears in the upper right, the LIMITED SPECIAL EDITION seal in the upper left, and the command NEVER GIVE UP hand-painted.
At the bottom edge, the famous evolution frieze — from primate to standing sapiens — crosses the composition in black silhouettes. It gives its key to the whole: the trajectory of the species placed under the sign of money, of time passing and the ranking of fortunes. Fluorescent green butterflies, scattered across the entire canvas, come to contradict this heavy mechanism with a note of fragility and escape.
Faithful to his method, Addiel Arturo piles stencils, aerosol, transfers, and paint until achieving the density of an urban wall. The fluorescent elements revealed in the darkness add a second reading to the work: the light turned off, certain areas light up, and the painting shifts into another register — the daytime portrait becomes a nocturnal apparition, which suits an artist who has spent his life changing skin very well.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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