Madonna, 2020
Gérard Guyomard  

Painting : acrylic · 80 x 60 x 1 cm 31.5 x 23.6 x 0.4 inch

$8,296 8 296 $US

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Shipped from: Serbia

Delivery to: United States , $ 193

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

80 x 60 x 1 cm 31.5 x 23.6 x 0.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

The artist explores superposition as the central mode of expression.
His lines intertwine to create a complex visual play.
The gaze discovers fleeting silhouettes and organic forms.
The influence of narrative figuration is manifested by the accumulation of images.
The black line, nervous and precise, structures the composition.
It guides the eye through an interweaving of colored outlines.
Blue, yellow, and red respond to each other on a light background.
This painting from 2020 testifies to a search for movement and memory.
Certain details evoke urban graffiti or erotic fantasies.
The pictorial space becomes a meeting place between daily reality and abstraction.
A mouth drawn with force attracts attention to the center of the painting.
The whole rests on a fragile balance between chaos and technical mastery.

Gérard Guyomard, Madonna
France  • 1936

Presentation

He is related to the movement of narrative figuration and participated in the second founding exhibition of this movement (Mythologies Daily 2 - National Museum of Modern Art - 1977). Born in 1936 in Paris, Gérard Guyomard discovered his artistic practice on the job, particularly through contact with painting restorers. Its production began in 1964 and was then part of the movement of Narrative Figuration while maintaining a certain independence. Very quickly, overlays became his mode of expression. In the 70s, the photo will become part of his paintings. Looking at the entrance to a metro entrance in Paris, he is struck by the fleeting passage of waves of travelers. The photo will enable him to capture this movement and to integrate these fleeting silhouettes into his paintings, by superimposing them. His canvases are intertwining of ironic graffiti, everyday images and erotic fantasies.

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