Sans titre, 2012
Painting : mixed media · 162 x 130 x 2.5 cm 63.8 x 51.2 x 1 inch · Ready to hang
CHF 5,819
5 819 CHF
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 194
Estimated delivery: One to two weeks
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Statement of sale
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
162 x 130 x 2.5 cm 63.8 x 51.2 x 1 inch Height x Width x Depth
Sold by
Private collection
Artsper allows collectors to resell curated artworks on the platform.
Description
An abstract composition of a great gestural energy, where deep reds, vivid pinks, ochres, and touches of blue clash in broad drips and impasto. The pictorial material, dense and instinctive, unfolds into an almost organic form floating on an immaculate white background, between explosion and restraint.
Presentation
Yaze's painting is alive, personal, narrating his story through his flesh and matter. He doesn't play, he is. He does not compose, he proposes a path apart.
His painting is introspective, anatomical and endoscopic. Yaze fathoms his soul, dredges the depths of his being and dissects the whole process on canvas. His brush strokes perform an autopsy on the canvas, knead it, grind it.
The style is abrupt, swept by a whipping brush. The drippings are iridescent. Everything flows. Everything gets organized. The first brush strokes are violent, liberating. They mark the first lines and organize the canvas. The action is explosive.
His painting is introspective, anatomical and endoscopic. Yaze fathoms his soul, dredges the depths of his being and dissects the whole process on canvas. His brush strokes perform an autopsy on the canvas, knead it, grind it.
The style is abrupt, swept by a whipping brush. The drippings are iridescent. Everything flows. Everything gets organized. The first brush strokes are violent, liberating. They mark the first lines and organize the canvas. The action is explosive.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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