Bronze Sculpture for Sale
The Memory Before Memory., 2026
Painting : acrylic · 90 x 90 x 4 cm 35.4 x 35.4 x 1.6 inch · Ready to hang
< € 5,000
Shipping & delivery
Shipped from: United Kingdom
Delivery to: Germany , € 162
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
90 x 90 x 4 cm 35.4 x 35.4 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Contemporary abstract painting exploring a primordial form of memory that exists beyond personal recollection and written history. Earthy neutral tones, layered textures and ancient-inspired traces create a quiet, timeless and contemplative mood. The artwork will be shipped stretched on a wooden stretcher.
Presentation
Zibeyda Seyidova works with abstract painting as a space of inner experience. Her works do not seek to depict, narrate, or explain; instead, they create a condition of perception in which the viewer is invited to slow down and remain present. Her paintings operate through stillness, attention, and pause.
At the core of Seyidova's practice is an interest in liminal states – between form and its dissolution, between what is visible and what remains just out of reach. Light and shadow in her work are not positioned as opposites or carriers of conflict. Rather, they function as a continuous field in which neither can exist independently of the other. Light does not assert itself; it gently reveals depth. Shadow does not conceal; it sustains form, allowing it to remain open and unresolved.
Seiydova deliberately avoids fixed symbolism and narrative structures. Her compositions resist hierarchy or a singular focal point, encouraging the eye to move freely across the surface of the canvas. Texture, rhythm, and the density of paint become central elements of perception. The painted surface holds time within it: traces of the palette knife, layers of oil, and areas of removal register the memory of gesture and process.
A recurring presence in her work is the suggestion of fabric or drapery, not as a literal object, but as a state of matter. These forms evoke corporeality, shelter, and the fragile balance between exposure and protection. Materiality in Seyidova's paintings is neither decorative nor illustrative; it serves as a means of addressing the interior space of the human condition, that which resists language and definition.
Abstraction in Zibeyda Seyidova's practice is not an escape from reality, but a way of approaching its immaterial layer. Her paintings do not offer conclusions or prescribed readings. They exist as open fields of experience, inviting each viewer to construct meaning through silence, concentration, and presence.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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