Atomic August, 2024
Painting : acrylic, walnut stain · 91 x 29.5 x 2 cm 35.8 x 11.6 x 0.8 inch
€540
540 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 65
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
91 x 29.5 x 2 cm 35.8 x 11.6 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
An abstract composition where the material stretches in horizontal bands. The gaze travels between areas of deep shadow and flashes of light. Earthy tones dominate the upper part. Brown intensifies to evoke a mineral landscape or a geological fault.
The center of the canvas marks a sharp transition. A teal shade suddenly appears. It brings an aquatic freshness to the heart of the whole. The work on transparencies creates a sensation of depth.
The technique reveals natural drips and washes. The contrast between the saturated areas and the ethereal spaces paces the reading. The light seems to filter through a light mist. The balance is played between the density of the pigment and the purity of the white background. Each brushstroke underlines a precise intention. The whole ends with a discreet signature in the lower left corner.
Presentation
MorN is a pictorial storyteller based in the Montauban region, near Toulouse.
His work is not built around a single medium nor in the search for a uniform style. Oil, acrylic, walnut ink, inks, paper, wood, canvas or polyester film become the instruments of a single exploration: that of territories about which one never quite knows if they have been observed, dreamed or invented.
Landscapes of Elsewhere, islands, forgotten civilizations, mythologies, future worlds or territories marked by natural forces compose a personal geography in which each work constitutes the fragment of a larger narrative.
MorN gives an essential place to accident and transformation. A run can become a shore, a trace can bring forth an architecture, a material can suggest a presence. Some works are born quickly when others accumulate layers, are scratched, turned over or covered. The subject thus determines the support and the manner rather than the other way around.
This freedom explains the apparent diversity of his work: MorN does not seek to fully show the worlds he imagines. He prefers to leave enough clues so that the viewer can venture into them and build their own story.
Literature, mythology, cinema, science fiction or contemporary concerns can feed his paintings without ever imposing a unique reading on them. Behind the fiction surface time, disappearance, the living, fires or our relationship to the worlds we inhabit.
These territories form today the MorNdes, a universe that the artist gathers and maps in the Atlas of MorNdes — Territories of a pictorial storyteller.
“To dive into one of his paintings is a bit like accepting to embark on a journey into the unknown."
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