Song for Eternity, 2024
Painting : oil, acrylic, walnut stain · 100 x 81 x 2 cm 39.4 x 31.9 x 0.8 inch · Ready to hang
$1,261
1 261 $US
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Shipped from: France
Delivery to: United States , $ 210
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
oil , acrylic , walnut stain on canvas
Dimensions ( cm • inch )
100 x 81 x 2 cm 39.4 x 31.9 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
Space fragments between earth and sky. The composition is organized around a low horizon, giving way to an atmospheric expanse of pale blue. Cloud nuances stretch in the upper part, bringing a sense of lightness.
The foreground imposes a telluric presence. Brown and earthy tones dominate the scene. The gesture is broad, direct. The artist uses a mixture of oil, acrylic, and walnut dye to create these organic depths.
The balance oscillates between abstraction and figuration. Suggested structures are perceived, fragments of landscapes that seem to fade or reconstruct themselves. The material stretches in sharp diagonals, guiding the gaze towards an invisible vanishing point.
The technical execution plays on saturation contrasts. The density of brown pigments meets the fluidity of the sky. This visual dialogue creates a serene tension. The canvas, created in 2024, explores the relationship between raw material and ethereal light. The final rendering emphasizes the grainy texture of the walnut dye.
Presentation
MorN is a pictorial storyteller based in the Montauban region, near Toulouse.
His work is not built around a single medium nor in the search for a uniform style. Oil, acrylic, walnut ink, inks, paper, wood, canvas or polyester film become the instruments of a single exploration: that of territories about which one never quite knows if they have been observed, dreamed or invented.
Landscapes of Elsewhere, islands, forgotten civilizations, mythologies, future worlds or territories marked by natural forces compose a personal geography in which each work constitutes the fragment of a larger narrative.
MorN gives an essential place to accident and transformation. A run can become a shore, a trace can bring forth an architecture, a material can suggest a presence. Some works are born quickly when others accumulate layers, are scratched, turned over or covered. The subject thus determines the support and the manner rather than the other way around.
This freedom explains the apparent diversity of his work: MorN does not seek to fully show the worlds he imagines. He prefers to leave enough clues so that the viewer can venture into them and build their own story.
Literature, mythology, cinema, science fiction or contemporary concerns can feed his paintings without ever imposing a unique reading on them. Behind the fiction surface time, disappearance, the living, fires or our relationship to the worlds we inhabit.
These territories form today the MorNdes, a universe that the artist gathers and maps in the Atlas of MorNdes — Territories of a pictorial storyteller.
“To dive into one of his paintings is a bit like accepting to embark on a journey into the unknown."
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