Burgundy Night, 2026
Anastassia Skopp  

Painting : acrylic, mixed media · 50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch

CHF 477 477 CHF
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Shipped from: Germany

Delivery to: Switzerland , CHF 43

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch Height x Width x Depth

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Description

Burgundy Night opens with fresh pink rosebuds and sharp green leaves, then settles into something deeper. At its heart, plum and oxblood petals gather around a soft yellow-green glow, like lamplight in cool evening air. Top notes: pink rosebuds, young green leaves, a flicker of lemon light. Heart notes: oxblood petals, plum shadows, wet earth after rain. Base notes: deep burgundy linen, dark branches, stillness. Thick palette-knife strokes rise from the linen while the airbrushed light behind them stays weightless. The painting changes as the day does, warmer in the morning, deeper by lamplight, and its wine-coloured ground suits pale walls and dark ones alike. The painting carries no signature on the front, so it can be hung in three positions, and the composition shifts with each turn.

Medium: Acrylic and airbrush on 100% linen canvas

Signed and dated by the artist on the reverse

Comes with Certificate of Authenticity

Floral

Garden

Branches

Colors

Impasto

Plants

Green

Pink

Anastassia Skopp, Burgundy Night
Germany  • 1977
126 followers

Presentation

Anastassia Skopp is a contemporary artist whose botanical paintings explore presence, intuition, impermanence, and the delicate balance between control and surrender.

Flowers, branches, leaves, and shifting light provide the recognizable vocabulary of her work, but nature is never treated simply as a decorative subject. Skopp is interested in what happens when sustained attention changes the way an ordinary moment is experienced.

Since 2017, her study of Eckhart Tolle's teachings has influenced both her thinking and her painting process. She frequently works without detailed preparatory sketches, allowing a composition to develop through response rather than through the execution of a fixed plan. A branch may change direction, a flower emerge unexpectedly, or an open area remain untouched.

Her blossoms are often constructed through dense, sculptural strokes that rise physically from the surface. These tactile forms contrast with atmospheric fields of color, sprayed passages, delicate lines, and areas of visual silence. The result is a tension between material weight and ephemerality.

Across bodies of work including Spring Smells, A Summer Garden, Komorebi, and Wabi-Sabi Fragments, Skopp returns to ideas of transience and imperfect beauty. Light filtering through leaves, changing seasons, and irregular natural forms become reminders that experience cannot be permanently held.

Her paintings ultimately invite the viewer to slow down and return attention to the present — not as an escape from life, but as a way of encountering it more fully.

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