Wabi-Sabi Fragments II, 2026
Anastassia Skopp  

Painting : acrylic, mixed media · 60 x 60 x 4 cm 23.6 x 23.6 x 1.6 inch

$753 753 $US
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Shipped from: Germany

Delivery to: United States , $ 110

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 60 x 4 cm 23.6 x 23.6 x 1.6 inch Height x Width x Depth

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Description

Wabi-sabi accepts what is unfinished, and here the linen is left open on purpose. Large areas of the canvas were never covered — the raw weave stays visible beneath the turquoise, holding the whole composition the way a screen holds a projected image without becoming it. Anastassia Skopp sprays the ground in slow passes and cannot decide how the pigment will pool; she directs a branch but never its final length or turn. The blossoms open under moving air, the paint spreading on its own, so each one keeps the record of a single moment that cannot be repeated. Only the small roses and the leaves are entirely hers, shaped by knife, and the difference between the given and the deliberate stays visible on the same surface. Nothing here matches — the pink buds do not answer the white blooms, the scattered petals belong to no branch — and nothing feels out of place. That is the whole proposition: a thing does not need to be complete, or symmetrical, or resolved to be whole.

Medium: Acrylic (spray, Heavy Body, Fluid) on 100% linen canvas
Painted sides, ready to hang unframed
Signed and dated by the artist
Comes with Certificate of Authenticity

Floral

Garden

3D

Colors

Plants

White

Sky blue

Anastassia Skopp, Wabi-Sabi Fragments II
Germany  • 1977
126 followers

Presentation

Anastassia Skopp is a contemporary artist whose botanical paintings explore presence, intuition, impermanence, and the delicate balance between control and surrender.

Flowers, branches, leaves, and shifting light provide the recognizable vocabulary of her work, but nature is never treated simply as a decorative subject. Skopp is interested in what happens when sustained attention changes the way an ordinary moment is experienced.

Since 2017, her study of Eckhart Tolle's teachings has influenced both her thinking and her painting process. She frequently works without detailed preparatory sketches, allowing a composition to develop through response rather than through the execution of a fixed plan. A branch may change direction, a flower emerge unexpectedly, or an open area remain untouched.

Her blossoms are often constructed through dense, sculptural strokes that rise physically from the surface. These tactile forms contrast with atmospheric fields of color, sprayed passages, delicate lines, and areas of visual silence. The result is a tension between material weight and ephemerality.

Across bodies of work including Spring Smells, A Summer Garden, Komorebi, and Wabi-Sabi Fragments, Skopp returns to ideas of transience and imperfect beauty. Light filtering through leaves, changing seasons, and irregular natural forms become reminders that experience cannot be permanently held.

Her paintings ultimately invite the viewer to slow down and return attention to the present — not as an escape from life, but as a way of encountering it more fully.

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