Bleu traffic, 2025
Painting : acrylic · 100 x 81 x 2.5 cm 39.4 x 31.9 x 1 inch
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 97
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 81 x 2.5 cm 39.4 x 31.9 x 1 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
The gaze is first drawn to a young girl in the foreground. She seems isolated, her face partially masked, holding the handlebars of a small vehicle.
Behind her, a cramped cabin becomes the scene of a strange accumulation. Faces crowd in there, a mouth screams, others watch with a dull melancholy. A virtual reality headset and a blue dog join this organized chaos.
The palette favors cool tones. Grays and blues dominate the scene, reinforcing the cold and clinical atmosphere of the whole.
The technical execution mixes acrylic and oil. This mixture creates marked reliefs, giving a tactile presence to the material.
Each detail emphasizes the confinement of the characters. The structure of the vehicle acts as a frame within the frame, trapping the figures in an absurd routine.
A masked rabbit completes this visual narrative, adding a touch of strangeness to this figurative work.
Presentation
Born in Lot et Garonne in 1975, Nicolas Monjo is a talented self-taught painter who today lives and works near Angouleme. Preferring the solitude of his studio to social events, he often leaves it to others to dissect and decipher his works.
He discovered painting at the age of 20 and from then on has worked to developed a unique, highly poetic style. He plays with the laws of chemistry on his canvases, mixing acrylics and oils to create pronounced reliefs, whilst his signature preference for greys and blues makes his works instantly recognisable.
The themes tackled by the artists reveal a lucid and personal vision of his subjects, usually everyday objects and scenes which recur as frequently on his canvases as they do in day to day life. Monjo reveals touches of himself through his paintings, depicting his experiences of living in a hard, cold world where the laws of the jungle prevail. He strives, and achieves with brilliance, to make the viewer aware of the fragility of the human condition, which seems to haunt his subjects. The men and women are figuratively and literally enclosed in the frame, reminding the spectator of their inability to liberate themselves from their mundane lives.
Sometimes resembling the curvaceous figures found in the works of Fernand Léger, the characters in Monjo's pieces are often accompanied by dogs, cats, even fish, and are depicted in strange, contorted positions. His preference for flexible models allowed ten people at once to squeeze themselves into a tiny car for one memorable piece.
Monjo's latest works are fantastical, almost surrealist in nature, but contain many of his traditional motifs likes hearts and guitars, as well as bottles, plates, forks, and abandoned glasses. Objects which grace the everyday life of the artist are captured and presented for the delight of the spectator.
Nicolas Monjo maintains a regular presence in galleries and exhibitions in France. In 2024, he was featured in the group exhibition Existential Pluralism at Galerie Bouillon d’Art in Bordeaux, as well as in a duo exhibition at Espace Orlando in the Gers alongside Carole Petit, highlighting his dense and narrative figurative universe. More recently, his work has also been shown in 2026 at Galerie 2023 in Lons-le-Saunier, as part of a group exhibition bringing together several contemporary artists, confirming the continuity of his presence in the current art scene and his anchoring within the French gallery circuit.
Reviews from our customers
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