Pas de nature inquiète, 2022
Painting : oil · 146 x 97 x 3 cm 57.5 x 38.2 x 1.2 inch
£3,916
3 916 £GB
Shipping & delivery
Shipped from: France
Delivery to: United Kingdom , £ 182
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
146 x 97 x 3 cm 57.5 x 38.2 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
A feminine silhouette emerges from a chromatic chaos. The profile is drawn with precision despite the fragmentation of forms. The closed gaze evokes a deep introspection.
The work is distinguished by a bold superposition of pigments. Touches of turquoise blue meet flashes of pink and yellow. The material accumulates in successive layers.
The contrast between the density of the face and the lightness of the background creates a visual tension. The vertical drips bring a raw and instinctive aspect. Each brushstroke seems to translate an immediate emotion.
This composition plays on the balance between figuration and abstraction. The light seems to come from within the subject itself. The colored palette intensifies in the lower part of the support.
The technical execution favors rapid gesture and spontaneity. The face gradually fades to merge into a dreamlike environment. The whole relies on a play of transparencies and opacities.
The work is distinguished by a bold superposition of pigments. Touches of turquoise blue meet flashes of pink and yellow. The material accumulates in successive layers.
The contrast between the density of the face and the lightness of the background creates a visual tension. The vertical drips bring a raw and instinctive aspect. Each brushstroke seems to translate an immediate emotion.
This composition plays on the balance between figuration and abstraction. The light seems to come from within the subject itself. The colored palette intensifies in the lower part of the support.
The technical execution favors rapid gesture and spontaneity. The face gradually fades to merge into a dreamlike environment. The whole relies on a play of transparencies and opacities.
Presentation
In a bold graphic style, JM Robert stencils faces on abstract backgrounds that echo the degraded, deteriorated effects of urban walls.
"The damaged facades of houses and buildings fascinate me. I've always felt strong emotions in front of the damaged walls, the ruins, they are my main source of inspiration. The background of the canvas must evoke the surface of an old wall.
This is achieved through the use of various materials, coatings and technique such as scraping and scratching the surfaces.
I am looking for my own aesthetic conception of the ruin within the very limited and constraining framework of the painting. For me, everything happens on the canvas as if drawing and colour no longer manage to combine to make a portrait.
It is this impossible assemblage, this dislocation that creates the painting, like an echo of our times."
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