Labyrinthe des Ramures 1, 2026
Painting : oil, ink · 30 x 40 cm 11.8 x 15.7 inch
$935
935 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 104
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Dimensions ( cm • inch )
30 x 40 cm 11.8 x 15.7 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022
Description
A vibrant explosion of energy defines this composition. Bold orange saturation dominates the background. It creates a high-contrast stage for an intricate web of black lines. These fluid strokes weave across the canvas like organic veins or skeletal branches. They suggest a wild, rhythmic growth. Splashes of deep green foliage emerge from the darkness. These leafy forms appear spontaneous. They bring a natural pulmation to the structured chaos. Cool blue apertures break through the warmth. They act as windows of light. They offer a visual breath of air amidst the intensity. The balance between strict linearity and painterly freedom evokes a dreamlike garden. Every gesture feels decisive. The layering of pigment adds a tactile dimension to the surface. The interplay of complementary colors heightens the emotional impact. This piece explores the tension between order and disorder. It captures a moment of suspended movement. Precision meets intuition in a vivid exploration of botanical abstraction. The gaze follows the winding black paths toward the pale blue voids.
Presentation
Born in Beijing, Yan XIAO HUG is a multidisciplinary Franco-Chinese artist who has lived and worked in Paris for over twenty years. Her practice spans painting, lithography and site-specific installation. She studied art history, drawing and painting at the École nationale supérieure des Beaux-Arts in Paris, subsequently developing her artistic language in various Parisian studios.
Introduced to drawing and traditional calligraphy by her grandfather, she spent her childhood depicting plants following . These early experiences continue to inform her work, in which plants, trees, roots and water become metaphors for migration, cultural memory and the transmission of heritage.
Her practice explores the intertwined experiences of rootedness and uprooting, bringing Chinese cultural traditions into dialogue with Western painting and material experimentation. Combining calligraphic gestures with chiaroscuro, her paintings create connections between breath, the body and the natural world. She approaches painting as a process of excavation, allowing traces of memory to emerge through successive layers of colour and form. Across her work, the boundaries between cultures, bodies and landscapes remain permeable, opening a space for reflection on identity, belonging and coexistence.
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